This Seattle indie label has been on the Christmas tip for years, as the number in the album title indicates. It’s also where the fabulous “No Lou This Christmas” by Tom Dyer originated a couple years ago, so expectations are a little higher for this label’s compilations. Burnseer gets the prize for political awareness with their “The Little Refugee Boy,” who in other Christmas seasons would be the drummer. “Here He Comes” by Cassandra Sky manages to evoke the middle-period Beach Boys even without the choral harmonies, Fur For Fairies goes all antique music on us with “Cherry Tree Carol,” Glamourpuss breaks out the toy piano to accent their lo-fi poppy “Christmas For Everyone,” Jeff Kelly digs out an ode for two teenage girlfriends circa “Christmas 1995,” Kat Dyer solos on “I Heard the Bells,” Pleasure Island features the surf guitar sound on the instrumental of “Merry Gentlemen,” God rest them, and Sheila Powers confesses “Santa Left Me (On Our Last Date)” in an original ballad. The Elf-Tones throw the garage door open so everyone can hear “I See Reindeer in the Clouds,” and then the Navins grab the instruments to rock out on “Jesus Under My Tree.” Tom Nook’s “Best Darn Christmas Ever” is fun, amateur thrash rock, Tom’s New Pagan Choraliers tell the story of “Little Blair’s Unpleasant Christmas,” Toxic Socket hammers out the bluesy “Santy Claws,” Zelda Starfire breaks out the ukelele to promise she’ll be home for Christmas “Next Year,” and 3 Ninjas get all profane about the holiday in “It’s an Agonizingly Slow Death,” retelling the “Wonderful Life” story in more depressing terms. Couldn’t get behind “A Saucy Holiday Indeed!” by The GMR Chamber Ensemble, though I predict somebody might roll this out during a wintertime Renaissance Faire. All told, another great collection from the rainy city. Get it from Bandcamp.