We bring you a hidden gem from the last century: Chemistry Set, grunge-era men out of step with their time. This is their story.
By Scott Sutherland
The story of Chemistry Set began with a trip by two Seattle musicians Scott Sutherland and Tom Ewers to Tucson in the mid- 1980s, where they wrote the first joint pieces with local band The Sidewinders (later to become the Sand Rubies), leaning strongly in the direction of REM, Translator, Syd Barrett, and The Softboys . Before
heading to Tucson, Sutherland and Ewers played with Rusty Willoughby (Pure Joy, Flop, Llama) as Second Story, which over the summer of 1984 morphed into the Dwindles with Lisa King and Jim Hunnicutt. The Dwindles gigged regularly with bands like the Walkabouts, Room Nine, and Girl Trouble throughout the SeaTac area. The road-trip to AZ provided the opportunity for Ewers and Sutherland to scheme and dream up something full of guitar jangle, feedback, and melody.
Tom Ewers then recruited his old college roommate Scott Vanderpool (formerly of Room Nine) on drums and bassist Bryan Learned to join and Chemistry Set was born. The band began gigging steadily, writing originals and recording whenever and wherever possible. One of their initial recordings, Good Christian, made it on the KCMU tape compilation ” Bands That Will Make Money”. Too flowery for local labels like Sub Pop and too chaotic for the esteemed Popllama label, the group forged ahead, recording and self-releasing the Chemistry Set-EP in 1987. The release showed the group cutting their teeth on a diet of American 80’s bands like the Rain Parade, Three O’Clock and the Windbreakers.
The band continued gigging all over the Pacific Northwest, opening for acts like Game Theory, Camper Van Beethoven, and Portland’s Miracle Workers, who – along with an increasing obsession with The Damned, Thin White Rope, and Redd Kross – led the Chemistry Set in a less jangly direction. Shortly after the band recorded Underground for the “Sub Pop 200” compilation, Tom Ewers left to pursue a degree in Architecture. He was replaced by Bill Campbell who was among the first few fans to attend regular shows in the early days of the group. Before Tom left for college however, the expanded group cut tracks for a single (“Fabulous Stinking Chemistry Set”) at Velvetone Studios in Ellensburg WA with Steve Fisk, whom the band admired for his work in Pell Mell and production talent behind the Screaming Trees’ SST releases. In 1989 after the release of the single and a threadbare tour of the western US, Chem Set recorded one last single at Reciprocal Recording enlisting Jack Endino and Steve Fisk as co-producers. That project was aborted as Chemistry Set closed up shop when Bill Campbell moved on to play guitar in Flop.
In the wake of Chemistry Set, Sutherland went on to play guitar and sing in the power pop group Model Rockets. Later, he eventually teamed up with childhood friends Rusty Willoughby and Jim Hunnicutt in Llama. Scott Vanderpool reunited with Room Nine alumni in Down With People and went even further back to the past when pre-Chemistry Set era group Young Pioneers got reactivated. Bryan Learned also joined in on bass until his duties as a commercial airline pilot took him elsewhere. In 2012 Sutherland and Vanderpool collaborated as King County Queens, releasing an album’s worth of guitar-driven psych rock before dissolving a few years later.
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Veronika Kalmar (Backlash): “The complexity of their work enables them to break out of the local dirge and psychedelic stereotypes and achieve a distinct sound belonging to them alone.”
Backlash first annual poll – 1988: Best band #4. Chemistry Set
Keld Bangsberg (KCMU): “Combine a dash of Young Fresh Fellows fun, a pinch of Rain Parade psychedelia and a squeeze of REM pop, put it on puree and you get a concoction known as Chemistry Set.”
The Incomplete Fabulous Stinking Chemistry Set includes all of the legendary “Purple EP,” the Sub Pop 200 effort “Underground,” a lone single “Look Over Your Shoulder b/w Failure,” unreleased single sessions recorded as they were falling apart and 9 other slabs of previously unreleased fabulous stinking Chemistry Set. All digital for the first time.
Remastered from the original Chemistry Set tapes by Green Monkey Records guru Tom Dyer.
You know you’ve been waiting for this.
credits
Bry Learned: bass 1-6, 13-19
Scott Sutherland: guitar & vocals
Scott Vanderpool: drums & vocals
Tom Ewers: guitar 1-7, 10, 13-19, bass: 17-18
Bill Campbell: bass 7, guitar: 8-12
Hand tinted Alester by Randy Willoughby
Reissue Supervision by Howie Wahlen
Remaster by Tom Dyer
liner notes:
so, the place is seattle, – 1985-1989. some band associations include young pioneers, dwindles, opal, playing shows with friends pure joy, & room nine, named by room nine’s light guy, influenced by beer, big star, beatles, damned, byrds, soft boys, the church, buzzcocks, pink floyd, among others…did not fit neatly into the emerging scene, perhaps due to a strong fondness for jangly guitars although distortion & feedback were equally admired. an ultimately brief existence that fills a gap in any attempt to understand the music of seattle in the second half of the 80s blah blah blah
or just a not famous band from seattle in the late 80s

The Incomplete Fabulous Stinking
Album, 16 Aug 2019Youtube video of “2,000 Light Years From Home” https://www.youtube.com/watch?v=uRXpsA8voAw Youtube video of “Fields” https://www.youtube.com/watch?v=QpFZatKjpmQ Scott Sutherland: “It started elsewhere but for the sake of keeping this short, it kicked off with an ad Tom (Ewers) and I placed in the Musicians Wanted section of The Rocket; Revolverish softboys into Syd… I swear on the ghost of Winston Underpetals that we truly meant that shit. Maybe 1985. 1986 or 87. Everybody playing psychedelic music lived in the U-District (Seattle). Room Nine, Walkabouts, Feast and such. We wrote and worked out the “Purple Record” EP in the basement of the 11th Avenue NE “Bedlam” house. House parties on that street were a big deal – play a set in one basement, head up the street and see Feast at their house, maybe go down to the South Seattle Dutchman practice space building to see what was going on there. You could literally play until the sun came up at the Dutchman. (Scott) Vander(pool) and Bry (Learned) came from the Young Pioneers. Tom knew those guys from Evergreen College and I knew them from being a regular patron of The Tropicana, Olympia’s finest all ages club in the mid-80’s. Once we started playing with them we knew we were shitting in high cotton. They sounded HUGE. We played all the goddamned time. It was glorious. Bill (Campbell) came from the Gods and the east coast of the USA. Tom and I pressed him into service when he was foolish enough to attend two consecutive shows. He can seriously play the hell out of a git-fiddle. You already know that. We weren’t really together that long. We shoehorned all things Chem Set into a little window. We did the hippy shake-shake for the time we needed to do it and it was most fab.” The Incomplete Fabulous Stinking Chemistry Set includes all of the legendary “Purple EP,” the Sub Pop 200 effort “Underground,” a lone single “Look Over Your Shoulder b/w Failure,” unreleased single sessions recorded as they were falling apart and 9 other slabs of previously unreleased fabulous stinking Chemistry Set. All digital for the first time. Remastered from the original Chemistry Set tapes by Green Monkey Records guru Tom Dyer. You know you’ve been waiting for this.
- Fields
- Beneath The Plow
- Blind Caroline
- Hall Of Mirrors
- Kill The Sleepers
- April Fools
- Underground
- Look Over Your Shoulder
- Failure
- Grasshopper (previously unreleased)
- 5 Fingers (previously unreleased)
- Grime (previously unreleased)
- Blind Caroline (unreleased alternate mix)
- Good Christian (Bry basement demo)
- Snake In The Garden (rehearsal ’87)
- TE On TV (rehearsal ’87)
- In My Eye (4-track cassette demo)
- Exo Skeletons (4-track cassette demo)
- Daisy Jane (rehearsal ’88)
- Intrepid Traveler (rehearsal ’88)
- Fields (rehearsal ’88)
Bry Learned: bass Tracks 1-6, 13-19
Scott Sutherland: guitar & vocals
Scott Vanderpool: drums & vocals
Tom Ewers: guitar 1-7, 10, 13-19, bass: 17-18
Bill Campbell: bass 7, guitar: 8-12
Hand tinted Alester by Randy Willoughby
Reissue Supervision by Howie Wahlen
Remaster by Tom Dyer
liner notes:
so, the place is seattle, – 1985-1989. some band associations include young pioneers, dwindles, opal, playing shows with friends pure joy, & room nine, named by room nine’s light guy, influenced by beer, big star, beatles, damned, byrds, soft boys, the church, buzzcocks, pink floyd, among others…did not fit neatly into the emerging scene, perhaps due to a strong fondness for jangly guitars although distortion & feedback were equally admired. an ultimately brief existence that fills a gap in any attempt to understand the music of seattle in the second half of the 80s blah blah blah
or just a not famous band from seattle in the late 80s
- Bry Learner Bass 1-6, 8-12, Disc 2 1-9
- Scott Sutherland Guitar and Vocals
- Scott Vanderpool Drums and Vocals
- Tom Ewers Guitar 1-7, 10, Disc 2 1-9
- Bill Campbell Bass 7, Guitar 8-12




















