Frank Gutch Jr. tells is like it is. “From the carnival intro of Overture through the folk/psych and sixties farfisa rock of Everybody Now to the Oingo-Boingo-ish deviltry of Laboratory Rat, this album begs a complete listen. Give it one and you get equal parts fringe rock with classical interludes and the occasional cross between glee club and Hi-Los which practically sounds like recordings from a monastery. The small compositions, for they are worthy of that designation, fade in and out seamlessly, the distance between one and the next timed to perfection.”
