Green Monkey Records / Artist
Tom Dyer
Tom Dyer is an Olympia, Washington guitarist, singer, songwriter, producer, and radio host. He founded Green Monkey Records in 1983, in the thick of Seattle’s post-punk, pre-grunge scene, and has played in The Colorplates, The Icons, Beautimus, Gravy, Me Three, and more. After a long second career in higher education, he relaunched Green Monkey, now hosts Freeform NW on KAOS 89.3 FM, and makes records. His best known is probably Olympia – A True Story, a 40-song love letter to his hometown.
Early years
Tom Dyer was born in Des Moines, Iowa, in 1953 and moved to Olympia at age five. He started playing in cover bands in high school, including Tom Dyer & The Heavyweights, and graduated from Olympia High School in 1971. He spent a year at Western Washington University, then a few years working odd jobs around Alaska, Washington, and Oregon. In 1975 he landed in Seattle and went to work at Everybody’s Records.
Green Monkey, Mach 1
In 1979 he formed the experimental rock band The Pigments with Harvey and Deanne Tawney. The band soon became The Adults, then The Colorplates, and broke up in 1981. By then it had gotten Tom hooked on recording. He bought gear and built a small studio, and in 1983 Green Monkey Records released its first two cassettes: the compilation Local Product and Tom’s own Truth or Consequences.
Over the next decade the studio grew from four tracks to eight, and the label shifted from Tom’s own music to other bands. In 1984 he picked up a self-released cassette by The Green Pajamas. He liked it enough to review it for OP magazine, then tracked the band down and signed them. Green Monkey reissued Summer of Lust with extra songs, and the Pajamas and their members went on to make about 15 of the label’s releases through 1999. Tom’s band The Icons released Masters of Disaster in 1986.
A detour into education
Meanwhile Tom was supporting a growing family. A back injury in the 1980s ended his days of physical work. In 1989 he started teaching audio recording part-time at the Art Institute of Seattle, and he went back to school himself. He earned an associate’s degree from Seattle Central Community College, then a bachelor’s and a master’s in education from the University of Washington. In 1991 he sold his recording gear and closed the studio.
At the Art Institute he went on to head the audio, video, and multimedia departments and became Assistant Dean. Along the way he started the label 3:23 Reckerds as part of the music business program. He also traveled to Minsk, Belarus, to film the documentary Children of Chernobyl. In 2000 he moved to Boston as Dean of Academic Affairs at the New England Institute of Art and earned a doctorate in education from Johnson & Wales University. He returned to Seattle in 2006 as President of Argosy University and stayed until the school closed in 2016.
Green Monkey, round two
Back in Seattle, Tom relaunched Green Monkey with It Crawled From the Basement, a 47-song, 2-CD anthology. With former bandmate Howie Wahlen, he began putting out vintage recordings, moving cassette-only titles to CD, and releasing new music. He revived The Icons, reissuing Masters of Disaster and following it in 2011 with Appointment With Destiny!
The label has since branched out into traditional folk, a mighty run of Christmas compilations featuring Green Monkey regulars and artists from around the world, and History of Northwest Rock Vol. 1, covers of Northwest classics from 1959–1968 by Tom’s studio band, the New Pagan Gods.
Olympia and The True Olympians
In 2016 Tom moved back to Olympia. He joined KAOS 89.3 FM, Evergreen’s community radio station, where he hosts Freeform Northwest, a show built largely around Pacific Northwest artists across every genre.
He formed Tom Dyer and the True Olympians. The band released “Christmas in Olympia” in 2017 and the album 12 New Recordings in 2018. In 2019 Tom started writing songs about Olympia’s history. The pandemic put the band on hold in 2020, though they managed a “Pandemic Christmas” single that December. The history project came back in 2021 and grew to 40 songs.
Olympia – A True Story came out as a 3-CD set on October 14, 2022. Guests include Arrington de Dionysius, Calvin Johnson of K Records, and the Artesian Rumble Arkestra. The album drew coverage from KING 5, KUOW, and The Olympian. The band played a delightful record release show at The Olympia Hotel Ballroom on December 9, 2022, plus shows in Portland and Seattle.
What’s going on now
In 2024 Tom released Irish Tour 2024: 12 songs about a trip to Ireland, all written in a single hour the morning he returned home. In 2025 The True Olympians returned with History of Northwest Rock Vol. 2, all-new takes on punk and rock from 1970 to 1980. Tom is currently working on several albums at once, most prominently the Icons’ third album in 40 years.
Tom married Vicki Dyer in 1980. They have two kids, Kat Dyer, MD, and Ben Dyer, PhD.
Bio by Dr. Kat Dyer
For The Rich (FCC Clean)
From “History Of NW Rock Vol 2: 1970-1980”. Originally by Chinas Comidas, an early art punk band from Seattle, Washington, that formed in 1977 and disbanded in 1980 after having moved to Los Angeles. The group combined no wave and proto-punk musical influences with frontwoman Cynthia Genser’s feminist poetry.
- For The Rich (FCC Clean)
Lisa Ceazan – Lead & Backing Vocals
Joe Cason – Keys, Backing Vocals
Gene Tveden – Bass, Backing Vocals
Jeff Parkhurst – Drums, Percussion, Backing Vocals
Tom Dyer – Guitar, Theremin, Backing Vocals
Featuring:
Grady Eddins – Lead Guitar
Produced by Tom Dyer
Cover by Tom Dyer
History Of Northwest Rock Vol. 2 (1970-1980)
Oct 9, 2025 Tom Dyer and The True Olympians – History Of NW Rock Vol. 2 1970-1980
This is Dyer’s third “history” album, following History of NW Rock Vol. 1: 1959-1968 and Olympia: A True Story, so he is sorta a history guy nowadays. Keep in mind, these are not unbiased histories, these are a reflection of Dyer’s experiences, preferences and tastes. This one runs from 1970 to 1980, with the majority (thirteen of the sixteen songs) coming from the punk rock days of ’77-’80. Only one of the songs, “Crazy On You” was a hit, the rest were and remain obscure. Dyer picked the songs, made new arrangements and got to work.
This series started in 2015 with Volume 1. Vol. 2 first poked out its head in 2023, with a single (included on the album). It wasn’t until 2025 the train really got rolling. The decision was made to use alternating drummers, Michael Stein, who played on Olympia and Jeff Parkhurst, who has been on everything recorded since. Singer Lisa Ceazan, who was featured on “Frozen Darling” would end up singing lead on 12 of the 16 songs. Bassist Gene Tveden was rock solid as always. Joe Cason was a meandering butterfly on keys. Guest superstars were brought in: Grady Eddins of Von Cube tears it up on three tracks; Christine Gunn’s cello stars on Hendrix’s “Peace in Mississippi”; Jim of Seattle is a whole damn horn section by himself on “Found A Child.” Dr. Kat D. and Rockin’ Stevie T add vox and lead guitar to “True Detective”. Dyer is an overdubbing behemoth on this album, playing at least eleven different instruments.
Volume 2 is in the can. Check it out and check out the originals that inspired this labor of love.
Bands Covered On History of NW Rock Vol.2: 1970-1980
The Accident
https://www.chuckieboy.com/theaccident
Members 1979: Doug Cram, Trent Kelly, Lisa Nansen, Mike Stein
USA punk band from Bellingham, WA. Released a 7″ single in 1979 “Kill the Bee Gees” which has become much sought after by collectors. It was the first release on Fastback Kurt Bloch’s No Threes label. They released videos for both “True Detective” https://www.youtube.com/watch?v=t60JHT6q4h4&list=RDt60JHT6q4h4&start_radio=1 and “Kill The Bee Gees” https://www.youtube.com/watch?v=B3adalXADJM. In 1996 a 10-song CD of their collected 1979 recordings was released on Chucky Boy Records https://www.chuckieboy.com/. In 2024, it has been re-released on 12” vinyl. https://pukenvomitrecords.com/collections/pnv-label/products/accident-kill-the-bee-gees-new-lp-clear-split-w-white-vinyl-1
Ballin’ Jack
https://en.wikipedia.org/wiki/Ballin%27_Jack
Members: Ronnie Hammon, Luther Rabb, Jim Coile, Tim McFarland, Billy McPherson, Glenn Thomas, Jim Walters, King Errisson
Ballin’ Jack was an American horn rock group formed in Seattle, Washington in 1969 by Luther Rabb and Ronnie Hammon. They released four albums from 1970 -74 Luther played in high school bands with Jimi Hendrix.
Jim Basnight
https://www.jimbasnightmusic.com/bio
PNW rock musician, former Moberlys front man, born in Philadelphia, PA. At a very young age, his family moved to NYC, then moved to Seattle. He started recording in the late 1970’s and led a pre-grunge original rock and roll scene in Seattle. His band Meyce opened for the first Ramones show at the Olympia Hotel Ballroom. His first single “Live In the Sun”/”She Got Fucked” came out in ’77, followed by his great “Jim Basnight & The Moberlys” album in 1979. He continues to perform and release new music today.
The Beakers
https://en.wikipedia.org/wiki/The_Beakers
Members: Francesca Sundsten, George Romansic, Jim Anderson, Mark H. Smith
The Beakers were an American art punk band from Seattle, Washington, formed in 1980. Although the band only existed for twelve months, they were considered influential on the local underground music scene. Jim Anderson next played in Little Bears From Bangkok. George and Mark went on to form Three Swimmers, George followed that with Danger Bunny. Their collected works were released by K Records. https://thebeakers.bandcamp.com/album/four-steps-towards-a-cultural-revolution-klp163
The Blackouts
https://en.wikipedia.org/wiki/The_Blackouts
Members: Roland Barker, Roland Barker, Erich Werner, Paul Barker, Eric Werner, Mike Davidson, Bill Rieflin. The Blackouts were a punk rock band formed in Seattle in 1979 by singer/guitarist Erich Werner, bassist Mike Davidson, and drummer Bill Rieflin (later of King Crimson), who were all former members of a local punk band, The Telepaths. “They had an implosive intensity and were the antithesis of the bar bands that dominated Seattle’s anemic local music scene”, famously playing a show opening for The Heats at the Showbox where they came out clothed in diapers and ketchup. Their collected works were released by K Records a few years back. https://krecs.com/products/klp164
Chinas Comidas
https://ffanzeen.blogspot.com/2015/11/chinas-comidas-inside-look-rocknroll-in.html
Members: Brock Wheaton, Cynthia Genser, Dag Midtskog, Richard Riggins
Chinas Comidas were an early art punk band from Seattle, Washington, that formed in 1977 and disbanded in 1980 after having moved to Los Angeles. The group combined no wave and proto-punk musical influences with frontwoman Cynthia Genser’s feminist poetry.
The Colorplates
https://greenmonkeyrecords.com/artist-the-colorplates/
Members: Bob Blackburn, Tom Dyer, Deanne Tawney, Harvey Tawney, Howie Wahlen, Adam Woog
Band with Tom Dyer circa 1979-82, loosely connected with the art/punk scene. They were equally (though not exclusively) inspired by Ornette Coleman and the Dave Clark Five. Their collected works can be found here: https://thecolorplates.bandcamp.com/album/agony-and-ecstasy
The Enemy
http://pnwbands.com/enemy.html
Members: Damon Titus, George Gleason, Michael Wonderful, Paul Hood, Peter Barnes, Suzanne Grant
The Enemy was one of the key groups in the NW punk scene, along with the Moberlys et al. They even had a well-respected single, “I Need an Enemy”/”Trendy Violence” and started the first punk club, “The Bird”, which was closed down by the police (You can hear cops busting heads at the beginning of “Trendy Violence”). They evolved into the group “Big Fun” with David Surkamp of Pavlov’s Dog and put out a cassette. Barnes went on to found Clatter and Din Recording Studios in Seattle for many years and recently put out a collection of his ‘80’s recordings on Green Monkey.
Heart
Members: Ann Wilson, Nancy Wilson, Roger Fisher, Howard Leese, Steve Fossen, Michael Derosier
Heart was founded in Seattle in the early seventies. Their 1975 debut album on Vancouver BC’s Mushroom Records was a hit when PNW bands were not having hits.
The Heats
https://the-heats.com/aboutMembers 1979-80: Don Short, Keith Lilly, Ken Deans, Steve Pearson
The Heats dominated Seattle’s airwaves and captivated fans in venues around the country in the late-1970s and early 1980s. They help open bars to original local live music. GMR has made their “Live At The Showbox” available on Bandcamp for years. It was released on vinyl and CD in 2024. They reformed and put out a new album. “The Heats”, in 2024.
Jimi Hendrix
From one of two controversial Hendrix LPs produced by Alan Douglas. On Crash Landing, basic tracks were laid down by Jimi with lotsa posthumous edits and overdubs by session guys. Sometimes successful – as on “Peace In Mississippi” and “Stone Free”- and sometimes not. The best no-shitty-overdubs version is on the “Voodoo Soup” comp. An unedited version can be heard on Valleys of Neptune CD single, that was sold exclusively at Walmart.
The Macs
Members: Colin McDonell, guitar and vocals, his brother Angus McDonell, bass, and Neal Erickson, drums
The first time The Macs entered Seattle’s Triangle Recording studio in 1980, they recorded what proved to be two-thirds of their total recorded output: sides A and B of a 45rpm single. It was the band’s first time in a studio.
Red Dress
https://jivetimerecords.com/northwest/red-dress/
Members: Bill Bagley, Bill Shaw, Gary Minkler, Jerry Anderson (7), John Olufs, Pete Pendras
“Red Dress infuses absurdity with the pure joy of funk, jazz and R&B. The result is far from what one would expect from looking at it on paper.” Dennis R. White. Gary and the boys are putting out new albums and still out playing in town – go see them!
Student Nurse
https://www.studentnurseband.com/
Members: John & Helena Rogers plus others
Formed in 1978 by John & Helena Rogers, the band went through 4 major personnel changes before giving up in 1984. There was a pop side, and an improvisational side, but it was always fiercely original. They have since re-grouped and are playing around the Northwest.
‘S Nots
https://www.discogs.com/artist/2310532-S-Nots
Members: Drake Eubanks, Jeff Gossard, Sheldon Gomberg, William Rieflin
AKA the Snots. Seattle punk band who released one single in 1977. They were a “sister band” of The Lewd; both were formed from the ashes of the previous Knobs (and the Snots’ Drake Eubanks played drums in the first lineup of the Lewd). Jeff Gossard is a cousin to Pearl Jam’s Stone Gossard. Discogs
Telepaths
http://pnwbands.com/telepaths.html
Members: Erich Werner, Geoffrey T. Cade, Kurt Werner, Mike Davidson, Reid Vance, Bill Rieflin
The Telepaths are now considered by many to have been Seattle’s first true punk band — although, truth be told, they were influenced as much by early-1970s progressive rock as by the likes of the MC5 and the Stooges; after all, they took their name from an early Blue Öyster Cult song: namely, 1974’s “Flaming Telepaths.” Jeff Stevens
Stephan Tow’s book The Strangest Tribe is a good resource on the period. https://thestrangesttribebook.wordpress.com/
EPK: https://greenmonkeyrecords.com/artist-tom-dyer-true-olympians/
https://greenmonkeyrecords.com/artist-tom-dyer/
Bandcamp: https://tomdyerandthetrueolympians.bandcamp.com/album/history-of-nw-rock-vol-2-1970-1980
Links to the original versions can be found on the Bandcamp page for this release.
Facebook https://www.facebook.com/profile.php?id=100063541451469
- Probabilities
- Walking Down The Street
- Found A Child
- Have An Idea
- Frozen Darling
- Pterodactyl Teenagers
- Lies
- Live In The Sun
- Peace In Mississippi
- Crazy On You
- So Long To The Sixties
- True Detective
- Bang Bang You’re Dead
- Four Steps Toward A Cultural Revolution – Crawling On The Floor
- For The Rich
- The Thinker
Recorded 2023 to 2025 at TDS Productions, Olympia.
Lisa Ceazan – Lead & Backing Vocals
Joe Cason – Keys, Backing Vocals
Gene Tveden – Bass, Backing Vocals
Jeff Parkhurst – Drums, Percussion, Backing Vocals
Michael Stein – Drums, Backing Vocals
Tom Dyer – Producer, Arranger, Engineer, Lead and Rhythm Guitar, Delta Slide Guitar; Fretless Guitar,
Acoustic Guitar, Theremins, Alto Sax, EZ Keyboard Bits, Lead & Backing Vocals, Cover Design
Bill Lucas: Assistant Engineer
With:
Grady Eddins – Lead Guitar: “Probabilities”, “For The Rich”, “Have An Idea”
Christine Gunn – Cello: “Peace In Mississippi”
Jim of Seattle – Fake Horns: “Found a Child”
Kat Dyer – Lead Vocals: “True Detective”, Backing Vocals
Steve Trettevik: – Lead Guitar: “True Detective”
Thanks to Howie, Bill and Vicki. Thanks to Dennis White for helping track some folks down. And thanks to the Olympians for their cheerful willingness to execute my obscure notions.
Cover Photo: Howard O. Wahlen (1962)
Probabilities b/w Found A Child
We have picked a couple songs to get you all frisky while I finish mixing History of NW Rock Vol 2 album, our take on Blackouts’ “Probabilities” starring special guest, the ever-so-fucking-mighty Grady Eddins of Von Cube fame on ELECTRIC guitar. Plus a all-new approach to Ballin’ Jack’s “Found A Child” with sensational fake horns by the great Jim of Seattle. I am quite happy with these!
- Probabilities
- Found A Child
Cover heart-art by Rosie Dyer
Cover design by td
The Tale Of Charming Buddy (single)
I was recording a little slide guitar action on one of the songs for the upcoming “History of NW Rock Vol. 2: 1970-1980” album. I finished the track, and then just kept going with a whole ‘nother thing. One take. A couple days later, I thought what to do with this dirty guitar business? I decided to recount this tale told to me by my Mom when I did a 10-part video interview with her about ten years ago. Thought I was all done. Then Howie asked me howsabouta “B-side”. I dredged up a song called “Doughnuts” recorded around 1983 with Rob “Rob E. Dawg” Evans, who I worked with at Everybody’s Record Co. #5. He had made up the guitar tracks on his Tascam 4 track reel-to-reel, I came over and improvised the vocal. This track was thought to be lost forever, but I recently dredged it up, so why not? Here it is. The cover picture I believe to be my nephew Ray (size 15) and niece Heather (size 13) doing a little comparison under the watchful eye of my sis.
- The Tale Of Charming Buddy
- Tom Dyer and Rob Evans – Doughnuts
On Buddy: Tom Dyer: Guitar, Vocals, Production. On Doughnuts: Rob Evans: Guitar, Production, Original Composition; TD: Vocals, Top-line Melody and Lyrics, Mastering.
The Good Life
Nineteen previously unreleased songs written and recorded from 1958 to 2024 for birthdays, anniversaries, school projects and other events, roughly sequenced in the order they were recorded.
- Christmas 1958
- You’ll Always Be Happy
- Silver Turns To Gold
- Happy Birthday Heather
- Drift Away
- Have Yourself A Merry Little Christmas
- Institutional Effectiveness
- The Five Practices Of Exemplary Leadership
- Policy
- She’s Eighteen
- Chet And Margret Come Out To Play
- Students
- Hegemony Chant/Gromsci Rocks
- Lisa Is Seventy
- Bird Is Thirty
- Gail Hanson
- Climb Every Mountain
- The Christmas Wrapper
- Seventy-Five
Iowa 1958: Susan & Bruce Dyer – vocals;
King’s Choraliers – You’ll Always Be Happy: Bruce Dyer – lead vocal; Silver Turns To Gold: Susan Dyer – vocal;
Have Yourself A Merry Little Christmas: Kate Dyer – vocal*
The Five Practices of Exemplary Leadership: Kate Dyer – drum and vocal, Ben Dyer – bass and vocal;
Policy: Kate Dyer – drum and vocal, Ben Dyer – bass and vocal;
Students: Dave Walker – Guitar and backing vocal
Lisa Is Seventy: Joe Cason, Jeff Parkhusrt & Gene Tveden – Lead Vocals
All songs by Tom Dyer except Have Yourself A Merry Little Christmas, Climb Every Mountain and The Christmas Wrapper – Music by Run DMC
(P) Half The World Publishing
Songs written between 1958 and 2024
Front cover from painting of TD at Mud Bay, aged 2.
Other photos taken by strangers.
Irish Tour 2024
Sept. 16 2024 Irish Tour 2024 Released
On March 9, 2024 I went to Ireland with my brother Bruce and his daughter Rosie.
On the 23rd, I returned home at midnight. I woke up at 5AM and fourteen songs about our trip flew out of my brain in one hour. I fleshed them out over the next week or so and recorded twelve of them over the ensuing five months.
These travelogue stories range in style from what some would consider traditional(ish) Irish music to brisk and smashing rock. They were recorded in my home studio/living room, with help from a variety of Olympia friends. This album, my 22nd, continues my streak of “neo-journalism” and is my second album in a row about a particular geographic location.
I have not sequenced the songs to match the order of our travels, I have ordered them in a manner I found musically pleasing. If you wish to understand the day-to-day sequence of our travels, the final song, “I Went To Ireland, summarizes them in chronological order.
These first-person stories are all fundamentally true.
Synopsis:
- Bogman – Long dead bog people on display at the Irish National Museum was one of the stranger things we saw. Nobody seemed to think it was as weird as I did. Guitar spankin’.
- Half Irish/Half Tiger (Back When I Was Irish) – Written in the same morning explosion as the rest, but not about the trip. It is a pre-trip history of my Irishness, both real and imagined.
- Driving On The Wrong Side Of The Road – A brief narration of our road experience. There were no casualties and our rental Volvo was returned without damage.
- Dan Lafferty – An encounter with an old friend in Galway takes a surprising turn at the Crane Bar where we encounter the majesty that is Mr. Ammon.
- The Cliffs Of Ireland – So much beauty!
- Have Ya Got It In Ya? – My brother Bruce’s chest is laid bare by a stranger in a search for his Irish essence.
- St. Patrick’s Day In Galway – Let the snakes begone – this is the day of the people!
- Newgrange – Somber, with an annual ray of light.
- She Was Getting Married – Makes you proud to be an American!
- The Best Damn Record Store In Ireland – My album will be available at the Dingle Record Shop, filed next to the likes of The Pogues and U2.
- Michael Quirke – A mystical and convoluted tale, filled with truth, beauty and blarney.
- I Went To Ireland – A strict chronology with a 4/4 beat.
Produced by Tom Dyer
I thank all these wonderful musicians who helped make this record happen!
Julie Bennett: Bodhran & Percussion
David Caroll: Bass, Joe Cason: Keyboards
Steve Cifka: Cello, Nancy Curtis: Irish flute
Amy Denio: Accordion, Eros Faulk, Joshua Grice: Fiddle
Jeff Parkhurst, Michael Stein: Drums
Lisa Ceazan, Bill Lucas, Sheri Nordling,
Michael Stein, Steve Trettevik: Backing vocal
Tom Dyer: Vocals, Guitar, Bass
Recorded by Tom in Olympia, WA, April – August 2024
All songs by Tom Dyer ⓟ 2024 Half The World Publishing
- Bogman
- Half Irish/Half Tiger (Back When I Was Irish)
- Driving On The Wrong Side Of The Road
- Dan Lafferty
- The Cliffs Of Ireland
- Have Ya Got It In Ya?
- St. Patrick’s Day in Galway
- Newgrange
- She Was Getting Married
- The Best Damn Record Store In Ireland
- Michael Quirke
- I Went To Ireland
Produced by Tom Dyer
Tom Dyer: Vocals, Guitar, Bass
Julie Bennett: Bodhran & Percussion
David Caroll: Bass, Joe Cason: Keyboards
Steve Cifka: Cello, Nancy Curtis: Irish flute
Amy Denio: Accordion, Eros Faulk, Joshua Grice: Fiddle
Jeff Parkhurst, Michael Stein: Drums
Lisa Ceazan, Bill Lucas, Sheri Nordling,
Michael Stein, Steve Trettevik: Backing vocal
Recorded by Tom in Olympia, WA, April – August 2024
All songs by Tom Dyer ⓟ 2024 Half The World Publishings
Bogman
On March 9, 2024 I went to Ireland with my brother Bruce and his daughter Rosie. On the 23rd, I got home at midnight. I woke up at 5AM and fourteen songs about our trip flew out of my brain in one hour. I fleshed them out over the next week or two and recorded twelve of them over the ensuing five months. This is one of the songs.
- Bogman
Tom Dyer – Vocals, Guitar, Bass – Michael Stein – Drums
Xmas Songs For Mom
December 8, 2023 I played my first solo acoustic show since 1978, all Christmas songs which I’ve written over the years (Howie wrote the words to “Propane Santa”!). My mom could not attend. I decided three days ago to record these acoustic versions of the songs and release them. This album could not be more simple. 1 acoustic guitar, 1 voice. I did not get overly precious with these songs – I recorded them quickly and did not aim for any sort of perfection. I hope you enjoy them! And yes, that is my mom on the cover wearing her festive Christmas present from me.
- Christmas In Olympia (Acoustic)
- Hot Dog! It’s Christmas (Acoustic)
- (I’m A) Lonely Little Christmas Tree (Acoustic)
- Propane Santa (Acoustic)
- Fruitcake (Acoustic)
- Christmas (It’s Around The Corner) (Acoustic)
- No Lou This Christmas (Acoustic)
- Christmas Is Love (Acoustic)
- Because It’s Christmas (Acoustic)
Tom Dyer – Vocals and Guitar
Frozen Darling b/w Crazy on You
Nov. 18, 2023 Update
There has been some stuff that has happened since the release of Olympia: A True Story. It got a bunch of glorious media coverage, all of which can be found on the Tom Dyer & The True Olympians page.
The True Olympians have released a couple singles.
Oct 7, 2023 Lisa and the True Olympians Single Released
All-new versions of PNW classics by The Telepaths and Heart, featuring the wonderful Lisa Ceazan on vocals. One plain weird and one just plain sultry.
What’s the scoop? Last January, coming off the marathon that was “Olympia: A True Story”, I was thinking what next? Hadn’t written a song since the previous May (a long time for me) and was not feeling inspired. At the same time, I figured I needed to do something to keep The True Olympians busy. I decided to take on a project I have contemplated for a few years, History Of Northwest Rock, Vol.2 (1970 – 1986), my follow up to 2015’s History of Northwest Rock Vol. 1 (1959-1968). I made a list of my favorite obscurities from that period, picked a few of those and started rehearsing the band to record them. I quickly lost interest and set the project aside, except for two songs. The Telepaths’ “Frozen Darling” and Heart’s “Crazy on You” (not obscure!), for which we cut basic tracks. Those two languished as I got involved in some other studio projects and the True Olympians prepared to play what were probably our last two shows (we are on an indefinite sabbatical).I finally got around to finishing them and here they are. I am most pleased with them. I think Lisa is fabulous on them. I am so pleased with them that I have decided to slowly resuscitate Vol.2 with Lisa as lead singer for the whole thing. That said, it will be a pretty casual approach to recording – there will probably be the occasional single or two before it ever becomes an album. I have other irons in the fire.
TD
- Frozen Darling
- Crazy On You
Play The Olson Brothers
May 5, 2023 The True Olympians Play The Olson Brothers
The True Olympians Play The Olson Brothers Band. What’s up with that? Last year or so I figured out that a hard workin’ Nashville song writin’ contest winnin’ many giggin’ country band existed right here in OlyWa. Capitol HS grads, like former TruOly drummer and KGY radio star, Michael Stein. Whoda thunk, here in the land of Olympia-has-everything? Over the last year I’ve played them a bunch on my FreeFormNW KAOS radio show (which you can stream at kaosradio.org if you ain’t in Oly) – even interviewed them (twice) while they were driving back from an Ashland, Oregon gig. My favorites tunes are “I Bleed Evergreen” and “Kill Your Mom” (as in “It Would Kill” …). I dig them so much we decided to give them the True Olympian treatment and have now released them as an attractive limited edition CDr single. These are performed from the heart!
- I Bleed Evergreen
- Kill Your Mom
Olympia – A True Story
Dec 19, 2022 TV Story on King 5 Evening.
Tom Dyer & the True Olympians release concept album about Olympia | king5.com
Dec 8, 2022 Tom Dyer on KGY with Michael Stein! 
Tom Dyer Interviewed on Olympia’s KGY with Michael Stein Thursday 12-8-22 by GreenMonkeyRecords (soundcloud.com)
Dec 7, 2022 Tom Dyer on NPR station KUOW 
Soundside show. KUOW – A musician’s love for Olympia inspires a 40-song album
New video by Marc Sterling for Olympia My Home
Nov 17 Review:
THE STATE OF THE NORTHWEST PACIFIC (2022): People, places and some capital songs
“This is a glorious, beautifully presented project and – remarkably — during the three years it took to create, Tom Dyer also ran his label (through Covid remember), delivered three solo albums and a True Olympians Christmas album.Remarkable.” Graham Reid
Elsewhere by Graham Reid https://www.elsewhere.co.nz/absoluteelsewhere/10504/the-state-of-the-northwest-pacific-2022-people-places-and-some-capital-songs/
Nov 14 Sweet review in the Terrascope
Terrascope Reviews for November 2022 ‘”Let It Rain’ is the perfect ending to this musical travelogue – lots of wet, steamy guitar soloing, raspy-throated childhood recollections of delivering newspapers in the rain, and a finger-shredding guitar onslaught that’ll have Neil and Crazy Horse fans freaking out. Next stop: Broadway and Olympia: The Musical!” Jeff Penczak
November 13, 2022 Wonderful article in the Olympian. New album is Tom Dyer’s love letter to hometown of Olympia | The Olympian https://www.theolympian.com/news/local/article268210872.html
October 12, 2022
TOM DYER INTERVIEWED ON PARALLEL UNIVERSITY
Stream Parallel U: Kim Dobson interviews Tom Dyer about Olympia: A True Story by GreenMonkeyRecords | Listen online for free on SoundCloud
New video for Arts Walk (Mossy Bottom) by Jeff Kelly
Sept 3, 2022. Great article in Thurston Talk.Tom Dyer: Musician, Owner of Green Monkey Records and a True Olympian – ThurstonTalk
https://www.thurstontalk.com/2022/09/02/tom-dyer-musician-owner-of-green-monkey-records-and-a-true-olympian/
Oct. 14, 2022. Tom: A project started exactly 4 years ago with the tender longing of “Olympia My Home” has arrived in my hand. It is tangible. Real. Glorious.
The day it arrived was rather stunning to me. A ridiculously large project, a ridiculous amount of work and effort, not just by me, but over 100 Olympia musicians, several photographers, proofreaders, my designer Rosie and of course the dedicated and beloved True Olympians, Gene, Joe, Lisa, Michael, Jason and Jeff.
October something. Longtime Oly drummer Jeff Parkhurst has taken over the drum throne. Brit Jason Homewood has joined the True Olympians as a second guitarist!
The scoop (in case you didn’t know already):
Olympia: A True Story, a 40-song, 47 track, 3-CD box set with 80-page book, is a loving ode to Olympia, Washington. It tells the story of the greater Olympia area going back 2 million years. Recorded over four years thru the pandemic, it is a heady brew of eclecticism writ large. It is monumental.
This is the tale of Olympia told through the lens of a third-generation Olympian who left town after graduating from Olympia HS in 1971 and who finally returned in 2016.
When I moved back to Olympia in 2016, I was most impressed by the Sylvester’s Window collection at the downtown Olympia Library, a series of eight Olympia cityscapes ranging from 1841 to 2001. These drawings really got me thinking about Olympia on some sort of time continuum in a way I probably hadn’t before.
I was at least partially inspired by David Scherer Water’s entertaining little Olympia book, first encountered in the spring of 2017, where I first learned about things like Bordeaux and the 1959 downtown train station crash. I grew up here and had never heard of either.
By 2019, the yet unnamed Olympia album was a thing, a concept in my head – a work in progress. The other book that really kicked this off for me was Olympia: A Peoples’ Almanac. Out of print, I got it from the library early on and it inspired further digging. It was the first place I had read much of anything about Little Hollywood, Olympia’s shantytown in the 20’s and 30’s and where I saw the picture that directly inspired the lyric.
We tracked our first five songs for the album in August, 2019. We did not suspect a pandemic was around the corner and how difficult that would make everything. Three years, three drummers, three Tom Dyer solo albums, and one True Olympians Holiday album later, it is done. Hallelujah!
This is not any sort of complete history; it is a collection of sonic sketches reflecting my particular take on the many-headed beast that is Olympia. We hope our little entertainment will inspire people to dig deeper into the story of our hometown and have provided many references you can pursue for more information.
I’d like to give a giant thank you to all the Olympia musicians who donated their time and skills to this undertaking – on their behalf, we will be donating a portion of our proceeds to the not-for-profit Olympia Arts + Heritage Alliance.
On October 28, I did a radio interview with Kim Dobson about the album that can be heard here: Stream Parallel U: Kim Dobson interviews Tom Dyer about Olympia: A True Story by GreenMonkeyRecords | Listen online for free on SoundCloud
January 13, 2022: UPDATE Work on our Olympia: A True Story album continues, with a recent blizzard of Olympia music guest stars, including Arrington De Dionyso from Old Time Relijun and Dave Harvey from Nudity. One of the tunes (with Arrington), “It’s Mud” appears on the new Ball of Wax comp – #66, where we got this great review:
Ball of Wax 66 Songs: Tom Dyer & The True Olympians – “It’s Mud”
Posted on January 13, 2022 by Lattney B. JonesThe last time I reviewed a song by Tom Dyer & the True Olympians, I closed it by calling the song “just damn fun” and heck if they haven’t done it AGAIN. I still don’t know where Tom Dyer finds the time to be involved in so many projects (most of which bear his name and all of which seem to have come from the playful end of the rock strata before bouncing through the various sands, soils, and waters of the rushing effluent and digging in among the sediment of Dyer’s own delta of joyous madness), but I’m thankful he does!
“It’s Mud” is a wild ride through that very delta, a pop song treading the depths of the aural spectrum where the bass, drums, guitar, and even Dyer’s vocal beat the bedrock like it’s the final barrier to getting every last ass in the place out of its seat and wagging with the rhythmic rumble of the sonic flood. Joe Cason has his hands full keeping this tectonic leviathan from cracking through to the mantle, but his electric piano does so admirably (love the way everything sinks away at the end, leaving only the keyboard to remind you that some things can never stay submerged) and gives the beat a touch of syncopation.
Tom Dyer’s vocals are always a blast, but on “It’s Mud” he sounds more like a man possessed than I think I’ve heard, hooting, hupping, and growling every lung-collapsing line in a frenzied competition with the True Olympians’ guest artist, one Arrington de Dionyso, who takes the title of the song as literally as possible and all but blows his bass clarinet to bits (gods bless the little reed that pulled off the Herculean task of being channeled from one to the other of its instrument’s four-plus octave [I’m including overblowing because I’ve heard other de Dionyso material and the man favors pushing his woodwinds to and often beyond their limits]). In fact, Dyer gives his guest complete freedom and lets de Dionyso exorcise every spirit in the immediate vicinity, clearing the nooks and crannies in double-tracked stereo glee (I hope, anyway—otherwise there’s a lot more black magic happening here than bargained for) for 30 seconds before the band explodes into action, at which point his guest kicks into high gear, coming up for air maybe twice over the next three minutes.
As a whole, “It’s Mud” is spiritually and emotionally (and almost physically) cleansing, washing over everything in a deluge of delirious sound, and Levi’s choice to close this volume of Ball of Wax with it is simply inspired. In fact, this has been one of my favorite volumes yet, and each time “It’s Mud” ends, I have to catch my breath and shake off the silt before realizing that another spin of this whole Ball of Wax is desperately needed.
Ball of Wax Volume 66 | Ball of Wax Audio Quarterly (bandcamp.com)
- Olympia Land Acknowledgement
- It’s The Capitol
- The Land and The Water
- People of The Water
- The Founding
- Bordeaux
- Little Hollywood
- Beer Town
- Joseph Wohleb, Architect – Empty Buildings
- Mima Mounds
- Mothballs and Mosquitos
- Mill Town
- It’s Mud
- Exactly Eight Minutes of Olympia Rain and Frogs at Tom’s House
- Let’s Have A Parade!
- KGY Sports Jingle
- Grandma Caught The Shark
- Billy Frank Jr.
- Tumwater Destroyed!
- KXXO Jingle
- The Evergreen Ballroom
- Everybody Needs A Home
- Runaway Train
- Olympia Oysters
- Margret McKenny
- The Null Set
- William Winlock Miller
- Jazz In Olympia
- KGY Weather Jingle
- A Deadly Wind
- Exactly Eight Minutes of Olympia Birds at Tom’s House
- A Bucketful Of Weird (TESC)
- (I’m An) Oly Bear
- KAOS Station ID
- It’s Still Pretty White (Getting Better)
- Clammin’
- Arts Walk (Mossy Bottom)
- Satan Made Him Do It
- FreeForm Northwest Show Promo (KAOS)
- Gronk! (If You Love Dinosaur)
- Death At Mounts Road
- Puget Sound Flatland Blues
- Love Rock Revolution
- Rachel Corrie (Activist)
- Lacey’s Now The Biggest
- Let It Rain
- Olympia My Home
Holiday Collection
Dec. 8, 2021: We decided last week to put out a Christmas album so here it is. All the True Olympian Xmas tunes bundled up in one sweet-n-jolly package. Also, as you may have noticed in the genuine JC Penny Photo Studio picture, Lisa Ceazan has joined the band on vocals. All this will be on display at our McMenamin’s Spanish Ballroom in Tacoma show Thursday Dec. 23.
- Christmas In Olympia
- Christmas Is Love
- (I’m A) Lonely Little Christmas Tree
- Christmas Train
- Pandemic Christmas
- No Lou This Christmas
- Propane Santa
- Gonna Sing A Christmas Song
- Ariel, Is That You
- The Geese
Pandemic Christmas – The Single
Summer update: There have been changes. The pandemic came. A new drummer came – Michael Stein. We are working on a new record – Olympia, a thirty-five-plus song concept record (remember those) about you-know-what. Scheduled for release in 2023.
We also did another xmas single last year “Pandemic Christmas” (our third), which was sorta jolly.
- Pandemic Christmas
Tom, Lisa, Joe, Gene, Michael
Beautimus and other sounds of the Nineties
In 2020, we pulled out the final cargo in Tom Dyer’s obscure and tenuous past: Beautimus and other sounds of the Nineties. Here’s the lowdown.
Ones and zeros. Atoms. The songs on the album all come from the 90’s and were all recorded at the now-shuttered Art Institute of Seattle (AIS), where I was faculty and later department director. I was working full-time, a dad with young kiddos, and a student at the UW, so none of these were real gigging bands. No time! These were recording projects and Lord knows I love to record! Only six of these nineteen songs have ever been released anywhere and even those locations were tenuous and obscure.
Beautimus was a most rocking combo made of former students of mine, folks from bands I had recorded and some fine old pals. I had written this batch of songs and decided it would be big fun to pull something together and lay down some tracks in the AIS studios after hours. They were all better players than me – I always like that and we got things done fast. We even made a video for The Prize, which fortunately remains hidden in the mists of time. After the project was wrapped, we played one glorious show at The Sunset Tavern in Ballard opening for the Green Pajamas. What a great band!
Gravy was a short-term studio-only beast with Scott McAllister and Dave Wheeler – these two songs are our collected works. They were made up all on the spot – no practice or planning, just glory. Marcel Rom was a friend of Scott’s who happened by and we got her to sing on “Satellite.”
B.L.O.G. (bunch of lame old guys) 1&2 were a faculty/staff bands tossed together over the between-quarter breaks. I mostly provided the songs – general mirth ensued. While most of the songs were written in advance, there was nothing resembling rehearsal involved – get the basic idea, hit record! Overdub a few bits, mix and head for the bar across the street at the Edgewater Inn (yes, the Beatles fished from their windows and Led Zep did the nasty with groupies and mud sharks there). “Heavin’ Tiny Sandwiches” was a hidden track on The Young and The Restless compilation on the school’s 3:23 Reckerds label (the name for the label came from Steven King’s The Stand whose Larry had the last ever Billboard #1 – it was 3:23, the Reckerds spelling came from Art Chantry). A music video of “We Are B.L.O.G.” was entered in the AIS faculty show and put on endless loop in the gallery, much to the consternation of the receptionist. It did not win a prize but was no doubt exceptional.
I’ve been thinking about doing this release for 10-12 years, but it remained on the To Do list. Perhaps it took a pandemic to become reality, because this year I have emptied the old stuff closet, between this and Truth or Consequences. It was only when I pulled this release together that I realized (duh) this whole bag of songs was tied to the Art Institute in the 90’s. The front cover is a self-portrait I created for the faculty art show – using a picture of me taken by a now-unknown student, a Fender amplifier schematic and a NASA photo of Saturn. The show entry print was black and white and about 4 feet tall – big head! The back-cover photo was taken by a then-student on the roof of AIS.
This release empties the Tom Dyer closets of yore. You may now sleep easy.
- Life is Perfect
- Saturday
- Must Have Lost My Mind (For A Minute)
- 1 Time, 2 Time
- Rhonda
- The Prize
- Across The Water
- Julianne
- Forever (for Fred Kroll)
- Zig Zag Red
- Satellite
- Crank It Up
- Call On Me (#2)
- I’m Your Man
- Heavin’ Tiny Sandwiches
- X-ray
- Into The Light
- I Wanna Talk About It
- We Are B.L.O.G.
Beautimus
Tom Dyer: Vocals, Guitar; Scott McAllister: Guitars; Sue Orfield: Sax
Laura Bell: Bass; Anthony Zapata: Drums; Kelle Boyd, Sheila Powers: Backing Vox; Jeff Kelly: Keys -1, 2; Glenn Slater: Keys – 3
Sarah DeBell: Keys – 6, 7, 9
1-5 engineered by Phil Ek; 6-9 engineered by Michael Lord and Dave Wheeler
Produced and mixed by Tom Dyer All songs by Tom Dyer
Gravy
Tom Dyer – Vocals/What-not; Scott McAllister – Guitar/etc.; Dave Wheeler – Excellent Things; Marcelle Rom – Vocal
Produced by Gravy. Songs by Gravy
B.L.O.G. I
Tom Dyer: Vocals/Guitar/Sax/Keys; Keith Livingston: Guitar/Bass/Backing Vox; Roy Scimeca: Drums; Dan Lafferty – Voice/Backing Vox
Produced by Tom Dyer & B.L.O.G.
All songs by Tom Dyer except “Heavin’ Tiny Sandwiches” by Tom Dyer and Keith Livingston
B.L.O.G. II
Tom Dyer: Vocals/Guitar/Sax; Kenny Smith: Guitar/Backing Vox;
Fred Modica : Bass; Roy Scimeca: Drums; Dan Lafferty: Acoustic Guitar
Clyde: Percussion; Dave Danioth: Sax/Flute; Tim Schutz: Trumpet
Engineered by Kevin Bressler. Additional Engineering by Jay Follette
Produced and mixed by Tom Dyer. All songs by Tom Dyer
Recorded in the Art Institute of Seattle (AIS) studios. Mastered by Tom Dyer 2020.
Thanks to all the people who made this fun.
Special thanks to Dan Lafferty for everything.
Apologies to anyone I forgot – it was a long time ago.
© Half The World Publishing
She’s Kate
Kate is my daughter. When I make music with her, she generally goes by Kat. She gave me this little rhythm/sound gizmo for xmas and I made this for her the next year.
- She’s Kate
Tom Dyer does it all.
Plague Songs
- Plague Song #1
- Plague Song #2
This was for some comp or the other that wanted 60 second songs. Don’t even remember if they got used, but they are pretty darn nice. TD played everything.
Truth or Consequences
April 2020. Tom Dyer has just got out of the time machine with an album he made in 1983, Truth or Consequences, loaded with a bunch of tasty surprises remixed, remastered, re-whatever, with 21 bonus tracks. Here’s the scoop.
Dyer: Fall 1983. That’s when Truth or Consequences originally came out. Truth (GM002), along with the same-day-released compilation, Local Product (GM001), was my first music available to the public in record stores. Not my first recorded music – The Adults/Colorplates – Agony & Ecstasy (GM1017) predates this, but was not unleashed until thirty years after the fact. The music on Truth followed in the ashes of that band; this was truly my entrance into the recording life. The first two songs on the album were recorded in 1982 at a real 16 track studio, Triangle Studios, with The Enemy’s Peter Barnes on drums, The Cheaters’ Al Bloch on bass and The Pin’s Pat Hewitt engineering. It was exhilarating. From there I bought a 4-track Teac 2340 reel-to-reel and the results are pretty much what you will hear on this expanded ToC, all recorded from ’82 thru early ’85. Three songs, “Get Modern,” “Sheila” (demos for my second and pretty much overlapping band, The Icons) plus “A Pearl” were done on the 8-track Tascam 38 reel-to reel that replaced the Teac.
The original ToC had eleven songs, Side A the darker rocking songs – with real drums, Side B the more whimsical pop side with programmed fake drums – the eternal Dyer dark-shit/weirdo-pop song dichotomy set in motion. The two sides of the cassette are presented in their original order as the first songs on each of the two discs. The Dichotomy is mostly observed for the remainder of each side.
I’ve thought about re-releasing Truth for some time. A few of these tunes popped up on my Songs From Academia Part 1 & 2 as well as the It Crawled from The Basement comp in 2009. Most have not been heard beyond friends and the few bold people that bought this stuff at Cellophane Square in the U District or through the mail back in the day. This is not simply the original eleven songs – there are an additional 21 songs. A few were tracks with vocals released on the largely instrumental I Lived Three Lives (GM005) (most of the instrumentals appeared on Academia Vol. 2), a couple appeared on Local Product. The rest are period recordings that for better or worse make their first appearance here.
I was not a purist in my approach to presenting these songs, in mastering (and in several cases, baking old tapes and remixing) I just tried to make them sound good using the tools I have today. I didn’t re-record anything – the performance remains stock!
These tracks certainly don’t sound like fancy modern recordings, but I think they capture the essence of where I was at in 1983 in a pretty pure manner.
- I See Pictures
- Van Vliet Street
- Tomorrow’s Gonna Be A Sunny Day
- Sex (I Think Of You)
- F.O.A.D.
- Image of You
- Like A Man
- Sheila
- Look Out
- Get Modern
- All the Time
- Lately Your Eyes Never Meet Mine
- For You
- Ride ’em Cowboy
- No Hammer
- Dr. Andre Returns
- On TV
- (Half The World Is Made Of) Women
- Skank!
- So I Say …
- Everyone’s My Hero
- Cars Keep Moving
- Here Come The Communists
- I See You
- High School
- Dedicated
- A Pearl
- Harmonia
- Sports Action
- Girls Smoking Cigarettes
- Death of Houdini
- Robot Love
Tom Dyer – Vocals, Various Guitars, Hagstrom Swede Bass, Electro Harmonix Mini-Synthesizer, Casio MT-65, Casio VL1,
Roland JX-3P Synthesizer, hand-built Theremin, Conn Alto Sax, Holton Tenor Sax, Roland TR-606 Drum Machine, Sound Master
Memory Rhythm SR-88 Drum Machine, even real drums (once), percussion, whatnot;
Peter Barnes – Drums, A1, A2, A4, A5, A7, Scream A2, Timpani A2, Ld Guitar A16;
Al Bloch – Bass A1, A2, A7;
Kurt Bloch – Ld Guitar A4;
Christy Cronn – Voice A16;
Eric Erickson – Drums, Vocals A3, Ld Guitar A13;
Rob Evans – Ld Guitar A7;
Pat Hewitt – Co-Producer, Engineer A1, A2, A7;
Niki Horan – Ld Vocal A14, B Voc B7;
Ann Nelson, Sherrie Nordling, Sheila Powers – B Voc B7;
Deane Tawney – Drums A6, A13, A15, Ld Guitar A6;
Steve Trettevik – Guitar A9, A10, Drums A9, Vocals A9, B16, Synth B1, B16;
Dian Wells – B Voc A13, A15, B1, B8, B14;
Rick Yust – B Voc A5, Bass A8
Voices on “High School” from flexidisc included with OHS 1971 Annual, Elna Benoit, Editor
Recorded and Mixed by Tom Dyer 1982-85, Mixed/Mastered by Tom Dyer 2020
All songs by Tom Dyer © Half the World Publishing.
“Ride ‘em Cowboy” Lyrics: Niki Horan.
Art by Vicki Dyer.
Photographs by Mark Reed.
From ‘83: Special Thanks to Peter Barnes, Pat Hewitt, Christy Cronn for services beyond the call of duty, and most of all, Vicki Dyer, who made this whole project possible.
2020: Thanks to Howie Wahlen for keeping the motor running, Thanks to Jack Endino for the loan of the 4-track machine. Finally, a special thanks to my dear mom JoAnn Dyer, who has always supported my necessary din.
The True Olympians Live 2-1-20
This was the glorious (nearly) Ground Hogs Day show at Octapas, which is nowadays Wildman GastroPub. Little did we know everything was about to come to a grinding halt bee-cuz the damn Rona. Tom Shoblom’s last show with the band.
- Hang Up
- I’m An Oly Bear
- Little Hollywood
- Another Counting Song
- Love Rock Revolution
- Don Thee Groundhog
- The Ballad Of Trump
- Bucketful of Weird
- Random Acts Of Kindness
- In The Light
- It’s The Capitol
- Wibblin’ For Jesus
- I Will Fear No Evil
- Olympia My Home
- When I Was Young
Tom Dyer – Vox, Gtr; Gene Tveden – Bass, Vox; Joe Cason – Keys, Vox; Tom Shoblom – Drums
The True Olympians Live at Conor Byrne Pub 11-30-19
If I recall correctly, this was a show for Levi Fuller’s Ball of Wax Quarterly and a lovely opportunity to trot out a few jolly xmas tunes.
- The Gray
- Hang Up
- The Ballad of Donald John Trump
- Random Acts of Kindness
- Wibblin For Jesus
- Lonely Little Christmas Tree
- Christmas Train
- Christmas Is Love
Dyer – sing, gtr; Tveden – bass, sing; Joe – keys, sing, Shoblom – tub thumpin’
1+1 = ?
2019 was Dyer’s year for 1+1 = ? – an album of collaborations. TD and mostly one
other person, trying to make a sound that is interesting, pure, unfettered. The orchestrated opener, “Everything In The World Is Returning To A State Of Nature” started living in Dyer’s head in 2004 while riding the commuter train to Boston and looking at rust. A 2017 call to Jim of Seattle finally brought it to vibrant life. The clangorous train-wreck song “Death At Mounts Road” did not exist in any form until Tom and Amy Denio walked in the recording studio on a January 2018 Saturday morning.
More than half of these songs do not have drums. Most are slow. Some songs were written prior to the collaboration, others like the psycho-matic “Alaska (Put It In Your Head)” with The OF’s John Carey are pure improvisation. Ornette Coleman’s “A Girl Named Rainbow” was purchased as sheet music in 1977 and was the final song recorded for the album, in 2019.
Dyer: “I started this album almost ten years ago without knowing it. The songs on this album were all one-offs. Accidents. While this album was taking its slow course, I completed seven other albums. Along the way accidents kept progressing, songs that just didn’t fit elsewhere. Some became singles. Some just hid. It was only when Amy came to Olympia for a day and we recorded “Mounts Road” that I realized there was a thread between them. These one-off orphans were all collaborations with one other person, and I was the glue. Since then I recorded three more songs with various collaborators and one by accident. Now it is done.”
This album stands alone as an artifact. These songs will not be performed in public. There will probably be a video or two, but don’t hold your breath. This is sufficient.
- Everything In The World Is Returning To A State Of Nature
- Seven Times Is Love
- Death at Mounts Road
- When Roger Took The Bus
- A Girl Named Rainbow
- Alaska (Put It In Your Head)
- Libya
- Meditations On Prince Bowie
- Song Of Frogs
- Chet
- Heaven
- Godmen Of The Future
- Barbra
(I’m A) Lonely Little Christmas Tree – single
- (I’m A) Lonely Little Christmas Tree
- Christmas Train
Tom & Kat’s Excellent Christmas Adventure
At the end of the year, he release his second Christmas album in 5 years, Tom & Kat’s Excellent Christmas Adventure featuring his daughter. The album collected the Christmas songs he had done over the last five years on the annual GMR Xmas albums. The front cover featured the last known phone booth in Olympia, Washington.
- Christmas Is Love
- (All I Want For Christmas Is A) Big Black Eye
- I Heard the Bells On Christmas Day
- (I’m A) Lonely Little Christmas Tree
- Christmas In Olympia
- T’was The Night Before Christmas
- Joy To The World
- Wild Christmas
- Little Blair’s Unpleasant Christmas
- Fruitcake
- A Saucy Holiday!
- O Come, O Come Emmanuel
- What Child Is This
- Christmas Train
Produced by Tom Dyer Recorded at Tom Dyer Sound (TDS) Productions 2014-2018 except where noted.
“Christmas Is Love”, “(I’m A) Lonely Little Christmas Tree” “Christmas In Olympia” and “Christmas Train” feature The True Olympians – Tom Dyer – Vocals, Guitar; Joe Cason – Keyboards, Vocals: Gene Tveden – Bass, Vocals; Tom Shoblum – Drums; Danny Kelly – Lead Guitar (Christmas Train).
(All I Want For Christmas Is A) Big Black Eye performed by The Tom & Jim Yuletide Contraption
Produced by Jim of Seattle. Tom – Vocals, Bass Guitar; Jim – Other Stuff except backing vocal by Kat.
I Heard the Bells
Kat – Vocal, bass, melodica. Tom – Guitar, fake bells.
Wild Christmas performed by The Dyer Spawn
Kat – Vocals, Tambourine; Ben Dyer – Guitar, Vocals; Roger Royset – melodica; Vicki Dyer – spoken vocal.
Joy To The World
Tom – Vocals and Instruments; Gene Tveden – Guitar Solo; Kat – Vocals.
Little Blair’s Unpleasant Christmas: Tom Dyer – Guitar, Vox, Keys; Scott Vanderpool – Drums; Joe Ross – Bass; Scott Muhlbeier – Lead Guitar; Kat Dyer – Backing Vocals, Sheila Powers as “Mummy”.
Basic tracks recorded at Casa Vanderpool, overdubs and mixing at TDS.
Fruitcake performed by The Krampus Quartet.
Scott Vanderpool – Lead Vocal, Percussion, Claps; Laura Weller – Organ, Lap Steel Guitar, Vocals, Claps; Tom Dyer – Guitar, Bass Clarinet, Clapping; Vicki Dyer – Hand Claps.
What Child Is This?
Tom – Bass clarinet, Melodica, Drum, Vocals, Fake Accordion; Kat – Alto Sax, Tambourine.
A Saucy Holiday!
Tom Dyer – Vocals; Sheila Powers – Vocals; Jeff Kelly – Harpsichord; Phil Herschi – Cello.
O Come, O Come Emanuel
Kat -Vocals, Organ. Tom – Other stuff.
All songs by Tom Dyer ℗ Half the World Publishing except + (traditional) and Wild Christmas by Kate Dyer/ Ben Dyer/Vicki Dyer
12 New Recordings
Here’s all the old news.
File under Rock.
Tom Dyer and The True Olympians released their debut album 12 New Recordings on August 17, 2018. To warm you up they released a video for “The Ballad of Donald John Trump”. The album features all-new material written 
by Dyer and recorded by the band in the spring of 2018, ranging from the super-pop of “The Grey” to the brilliantly obtuse sludge of “In The Light.” Some of the songs are pointed like “Hegemony,” “The Ballad of Donald John Trump” and the not-quite sacrilegious “Wibblin’ For Jesus.” (Hey – it’s just the true facts, ma’am.) Some are vague and some are wistful. Probably none of them fall in the “pretty” category. The majority of the band’s efforts could easily be clumped into the “cruddy rock” category. The True Olympians are too old to care what anyone thinks about their music. They just do what they gonna do.
The True Olympians are Tom Dyer, vocals and guitar, Joe Cason, keyboards and vocals, Gene Tveden, bass and vocals, Lisa Ceazan, vocals, and Michael Stein, drums and percussion and vocals. Tom Shoblum was the drummer on 12 New Recordings. As a band, their beginnings go back to high school in Olympia, Washington, where Tom D and Gene played in teen bands together. After high school, Dyer left town and eventually started Green Monkey Records, releasing his own solo and band albums, while Gene stayed in Olympia and played with a number of bands. He was a union man. Joe and Michael are also natives who have played in pile of Oly bands. Joe currently plays around town when it suites him in The Crescents. This band got its start when Dyer moved back to Olympia a couple years ago and reconnected with Gene. Scott Vanderpool of the Green Pajamas ( a Greener) introduced Tom to Tom and away they went. At the practice pad, there was a pile of keyboard stuff in the corner – Tom asked Tom “who?” and Joe was in.
The True Olympians are not a particularly ambitious bunch. Their first masterpiece is done and they plan to play at least one show this year. Perhaps more, but they ain’t no spring chickens and don’t like to haul gear that much, so we shall see. Regarding the “True Olympian” business, while it is true they all are from Olympia, they are neither nativists nor exclusionary. They understand 
rather that True Olympianism is a state of pure existence available to any being on this round planet, with enough focus, work and clarity. You too can be a True Olympian. And they like to do the rock. Yes they do.
The band released a digital single (now a video) from the album in May, “The Ballad of Donald John Trump,” Dyer’s second editorial commentary about Mr. Trump. The hope was to get it out before Trump could do anymore dumb/evil stuff that required writing new verses. Dyer’s previous single and video, Trump-ville, was released one year ago in June of 2017. Mr. Dyer is hopeful it will not be necessary to write a third song on this unpleasant topic next year.
Despite living in the Land of Trump, 
The True Olympians work hard to maintain an optimistic vision of the future.
2018 was a busy year with two albums and three singles. The summer brought Tom Dyer and The True Olympians – 12 New Recordings. This all-new material was recorded in the spring and summer of 2018 with his pure and rocking band that he assembled after moving to back to Olympia, WA. Prior to the album’s release he put out a digital single and video for “The Ballad of Donald John Trump.”
- Hegemony
- The Grey
- Hang Up
- The Ballad of Donald John Trump
- Save Me
- Random Acts of Kindness
- In The Light
- I Am Your Mother
- Wibblin’ For Jesus
- Another Counting Song
- I Will Fear No Evil
- Over
Tom Dyer – Vocals & Guitar
Joe Cason – Organ, Piano & Vocals
Gene Tveden – Bass & Vocals
Tom Shoblom – Drums & Percussion
Linda Farr – Vocals on “Wibblin’ For Jesus”
Produced by Tom Dyer
Recorded, Mixed & Mastered by TD
at Tom Dyer Sound Spring/Summer 2018
All songs by Tom Dyer
Cover Photos by Howie Wahlen Sr.
The Ballad of Donald John Trump
The first single from the debut album of Tom Dyer and The True Olympians.
- The Ballad of Donald John Trump
Death At Mounts Road
Amy Denio and Tom Dyer have been around long enough to qualify as Northwest music institutions. Despite that, this is their first full collaboration. “Death at Mounts Road” is about the December 18, 2017 Amtrak derailment which killed three people and injured sixty-two, the deadliest train crash in Washington state since1910. As should be the case, this song is neither pretty nor happy, it is rather grim. The song is being released as a digital single this Friday, February 2, initially through Bandcamp, followed quickly by all major download and streaming sites. It will be released jointly through Green Monkey and Amy’s Spoot Music. (Spoot.andcamp/spoot something, greenmonkeyrecords.bandcamp something.) A video for the song is in the planning stages. Two weeks ago Amy & Tom got together on a Sunday with no plan beyond writing and recording something; this is the (un)happy result. Amy had contributed some parts on one of Tom’s albums a few years back, but this was true collaboration. No net. Both are well pleased with the outcome and expect to try this again. Amy Denio is a prolific artist with over 200 albums released in a variety of styles. Her most recent solo album is The Big Embrace. Tom Dyer, while not as prolific as Amy, has released fifteen albums and singles since 2009. His most recent is the “Christmas In Olympia/Christmas is Love” single with Tom Dyer and The True Olympians.
- Death At Mounts Road
- Ride The Amtrak
Written and performed by Amy Denio and Tom Dyer
Recorded and Mixed by Tom Dyer
Amy Denio – Vocals, Bass, Organ, Bulbul Tarang,
Tom Dyer – Vocals, Guitar, Piano, Drum programming
Nick Vroman, Virginia Sorrells – Backing Vocals
Christmas In Olympia
The True Olympians made their debut last December with the wonderful and secular “Christmas In Olympia/Christmas Is Love” single.
Christmas 2017 marked his debut The True Olympians with “Christmas in Olympia.” It was very jolly.
- Christmas In Olympia
- Christmas Is Love
Tom Dyer – Vocals, Guitar
Joe Cason – Keyboards, Vocals
Gene Tveden – Bass, Vocals
Tom Shoblum – Drums, Percussion
Produced, recorded and all that stuff by Tom Dyer
Song of Frogs
Song was written in 1980. First recording of this song September 2017.
- Song of Frogs
Tom Dyer – Bass Clarinet and everything else.
Trump-ville (single)
Early 2017 delivered two digital singles “Trump-ville” a mediation on Mr. Trump’s presidency to that point and Song Of Frogs.
- Trump-ville
- Trump-town
Songs To Annoy Small Children
Earlier in the year, he released Songs To Annoy Small Children and other family favorites. It is real nice.
- Douglas Willott – Introduction
- Bathtub Plug
- There’s A Great Glowing Gasbag In The Sky, It’s Called The Sun
- She’s Pullin’ The Head Off The Dog
- Old Tom McGurk
- The Dyer Family Song
- They’re Old
- Douglas Willott – Introduction 2
- Cap’n Kat and the SS Mediocrity – Scurvy
- Cap’n Kat and the SS Mediocrity – Rum & Grog
- Douglas Willott – Introduction 3
- Susan Dyer – The Play Begins
- Susan Dyer – It’s Coming Too Slow (opening)
- Susan Dyer – Dragona
- Susan Dyer – Horns Of A Dilemma
- Susan Dyer – Abanazaar
- Susan Dyer – It’s Coming Too Slow (closing)
- Douglas Willott – A Final Word
All songs written, recorded and performed by Tom Dyer.
Songs 1-5 written 1995/98, song 6 written December 2016.
Bathtub Plug, She’s Pullin’ The Head Off The Dog and The Dyer Family Song were recorded near the turn of the century. The others were recorded December 2016.
Cap’n Kat and the SS Mediocrity
Written and performed by Kat (Vox) and Ben Dyer (Gtr) as a Christmas present to their dad.
Recorded by Tom Dyer on December 26, 2005.
Songs from Aladdin & His Magic Lamp
Songs written by Susan Dyer.
Play perfomed by The Fremont Players:
Susan Dyer – Queen Dragona; Michelle Moore – Aladdin; Kay McKinnis – Princess Paprika; Macque DaVís – Abanazaar; Terry Robb – King Timerous Rex; Simon Neale – Introduction.
The Jewels of The Nile:
Fred Hawkinson and John Borite -Trombone;
Ted Lockery – Cornet; Pam MacRae – Clarinet; Alan Friedman – Percussion.
Recorded by Jay Follette and Kevin Bressler at AIS in 2002.
Executive Producer – Tom Dyer.
Spoken introductions by Douglas Willott.
Front cover photo of Ben and Kate Dyer by JoAnn Dyer 1995.
Inside photo of Ben Dyer by Vicki Dyer 2005.
All songs ℗ Half The World Publishing © 2017 Green Monkey Records.
Produced & mastered by Tom Dyer. Cover design too.
Hampton was the dog.
When Roger Took The Bus
Made up in the living room and recorded on a phone!
- When Roger Took The Bus
Ben – Guitar & BV, Roger – Uke & BV, Tom – Lead vocal
Tom Dyer’s New Pagan Gods Play Hendrix (single)
In 2016, he released a digital single “New Pagan Gods Play Hendrix.” It’s pretty darn good. The single was released on September 18, the anniversary of Mr. Hendrix’s death.
- Spanish Castle Magic
- Little Wing
The New Pagan Gods – Tom Dyer: Vocals and Guitar; Scott Sutherland: Lead Guitar and Backing Vocals;
Scott Vanderpool: Drums and Backing Vocals; Joe Ross: Bass; Jeff Kelly: Organ. Both songs by Jimi Hendrix from “Axis Bold As Love” 1967, Licensed from Experience Hendrix LLC Front cover photo: Howard O. Wahlen (1962) Back cover photo, Easy Street Records in West Seattle: Ben Dyer (August 22, 2015)
Meditations On Prince Bowie (single)
A few months before that he had another digital single, “Meditations on Prince Bowie”, an odd little au cappella tribute to two recently departed musicians.
- Meditations On Prince Bowie
All sounds were made with my voice. The cover picture was photoshopped by Kurt Gardiner.
History of Northwest Rock Vol. 1 (1959-1968)
In 2015, for History of Northwest Rock Vol. 1, his 9th album in the previous six years, he embraced the NW cannon of his youth – works by The Sonics, The Wailers, Paul Revere & The Raiders, The Ventures, The Fleetwoods, Merrilee 
Rush, as well as many lesser known gems from the 1957-68 period, when Northwest bands could deliver radio hits on the teen beacon KJR.
To execute this difficult task, a relentless and raucous band of Green Monkey stars was assembled – Scott Sutherland and Scott Vanderpool from King County Queens on lead guitar and drums, Joe Ross and Jeff Kelly of the Green Pajamas on bass and the organ. Producer Steve Fisk was brought in to GMR HQ to track the unholy racket.
- The Witch
- Walk Don’t Run
- I Wanna Hold Your Hand
- You Got Your Head On Backwards
- Hungry
- Angel of the Morning
- Louie Louie
- Dirty Robber
- Come Softly to Me
- Just Like Me
- Out of Our Tree
- Little Sally Tease
- Werewolf
- Busybody
- She’s Boss
Produced by Tom Dyer
Basic tracks recorded May and July 2014, engineered by Steve Fisk.
TD’s vocals engineered by Howie Wahlen. Overdubs, mixing and mastering by Tom Dyer.
Tom Dyer – Vocals and Guitar
Scott Sutherland – Lead Guitar and Backing Vocals
Joe Ross – Bass and Harmonica
Scott Vanderpool – Drums and Backing Vocals
Jeff The Organ Player – Organ and Piano
Kat Dyer – Backing Vocals on Angel of the Morning
Front cover photo, Howard O. Wahlen (1962)
Cover design and layout by Tom Dyer.
The Witch & You Got Your Head On Backwards by Gerry Roslie © Fairwood Music (UK) Ltd OBO Burdette Music Company
Walk Don’t Run by Johnny Smith © Peermusic Ltd.I Wanna Hold Your Hand by Anthony Smith, Richard Gerber, Dave Erickson © Bolmin Publishing Company
Louie Louie by Richard Berry © EMI Longitude Music Co.
Angel of the Morning by Chip Taylor © EMI Blackwood Music Inc.
Come Softly To Me by Gary Troxel, Barbara Ellis, Gretchen Christopher © EMI Unart Catalog Inc.
Dirty Robber by Rich Dangel, John Greek, Kent Morrill © C.F.G. Publishing Co.
Just Like Me by Rick Dey and Rich Brown © Universal Music Careers OBO Daywin Music, Inc.
Out of Our Tree by Kent Morrill, Ron Gardner & John Ormsby © EMI Unart Catalog Inc.
Little Sally Tease by James Valley © Fairwood Music (UK) LTD, Bolmin Publishing Company
Werewolf by Terry Wadsworth, Gary Hodge © EMI Unart Catalog Inc.
Busybody by R.L. Johnson © Sony/ATV Songs LLC
She’s Boss by Tex Hughes, Butch Tuner © Fairwood Music (UK) LTD OBO Burdette Music Company
Thanks to: The New Pagan Gods* who made this record so damn cool and are such fine gents to work with. Thanks to Kat who came up with better backing vocal parts for Angel than I did. Thanks to Sheila D. and my sister Susan for the earlier backing vocal parts I ended up not using. Thanks to Howie for much consultation and advice as I went through what seemed at times an endless process. Thanks to Vicki and the neighbors who put up with the racket. And more than anything, thanks to the great bands who first did these great songs. Respect.
* I had another band called the New Pagan Gods for two nights in 1987 or so. You know who you are.
Xmas-30 Years In The Making
Ho Ho Ho!. Hey, I like a good Christmas song. Always have. Have plenty of of Christmas discs – Phil Specter, Ray Charles, Elvis, Frank, Bing & Mr. Hanky. I used to tell people I was making a Xmas album. Slowly. I figured I would get done in another 10-15 years. Last year, three weeks before Christmas, Howie informed me I had arrived. The full album. I was taken by surprise. I could have waited another year and come up with a super promotional plan. Nah. We just stuck it out in a week. It’s a year later. Howie convinced me we should give it a proper release. So we did. Remastered much fancier. A real CD instead of a burnt one. Wheew. To our shock, we got a lot of response last year for No Lou This Xmas, so this year we are making a glorious video for it that you can watch right here : No Lou This Xmas video: youtu.be/WPEWZjxWHUs Now you may have noted that this year we are not doing a various artist Xmas album for charity. True. However, we are still doing a giant charity FUNDRAISER for MusiCares a great charity that helps Music People in need. Any dough we make off album sales this year will go to ‘em.. If that ain’t enuff, we are going to have a Super Xmas Holiday Charity Bash out at Darrell’s Tavern on Aurora on Saturday, December 13. Green Monkey SuperStars galore! They get all the dough from that too. You know you want in on this action. How? Get advance tickets for the show (and other great rewards) by going to our IndieGoGo site right here: https://www.indiegogo.com/projects/green-monkey-records-charity-xmas-xtravaganza Can’t wait! Get jolly! td Words from GMR VP Howie Wahlen: Since 2009 Green Monkey Records (GMR) Mach 2 has gathered together some great Northwest musicians for the sole purpose of spreading good cheer for Christmas and lending a hand to worthy charities. The driving force behind these yearly projects has been GMR Prez Tom (He’s no Grinch) Dyer. He has had his hand out ready to receive whatever carols others will donate to the cause, making his own too, and ready to give a hand to others, usually pulling it all together at the last nano second on December 1st. (You can still download them at Bandcamp and the funds still go to charity.) This year we are doing things a little different. After we put the 2013 Xmas project to bed we started counting up TD’s songs and realized that he had enough songs to do his own Xmas album. So we thought, “Hey, we’ve got enough time to get together a hard copy for sale.” You know, a physical CD that you can buy and take home and put in a player. It includes the surprise hit from Green Monkey Records Presents Merry Krampus “No Lou For Xmas.” He makes no claims for the greatest Xmas song for all time. He doesn’t think that Bing Crosby and David Bowie, Phil Spector, Robert L. May (Rudolph), Gene Autry or John Lennon have anything to worry about, but he does like a good Christmas song come the holidays. Some people are slow and meticulous when they make an album (Heck, I thought the nine months between Revolver and Sgt. Pepper was ridiculous), but TD has never been accused of that to my knowledge…and yep, it took him 30 years. Happy Christmas HAW 2014
- It’s Christmas (And I’m Jolly)
- No Lou This Xmas
- Christmas (It’s Around the Corner)
- Propane Santa
- Jingle Bell Ska
- Christmas Time for Sailors
- Peace on Earth
- Hot Dog! It’s Christmas!
- It’s a White Mule Christmas
- It’s Snowing in Seattle
- Because It’s Christmas
- The Christmas Rosie Came to Town
- Christmas Time is Here
- God Rest Ye Merry Gentlemen
- Angels We Have Heard on High
No Lou This Xmas video: http://youtu.be/WPEWZjxWHUs
Christmas Time For Sailors video: http://youtu.be/tXiiWybfYe0
I Ain’t Blue Any More
Besides that stuff, Dyer has released a well-received Xmas album, a solo 1-man-band album, I Ain’t Blue Any More, two collections of works spanning 20 plus years (Songs From Academia Vol. 1 & Vol.2), two albums with The Icons (Appointment With Destiny! & Masters of Disaster) and two even more obscure releases from his past, Me THree and The Colorplates.
On Ain’t Blue he abandoned some of the eclecticism that marked his previous solo work and created
was his most cohesive album to that point. Dyer: “I thought I was making a blues record all the way, but with covers of The Sonics and Captain Beefheart, I’m guessing most people won’t think that.” Mix those two up with a love for Howlin’ Wolf, Son House and John Lee Hooker and you could probably stick a fork in this one.
There will be more. A concept album is on the way.
- The Ballad of Carlton IV
- (People Want To Be) Free
- Smithsonian Institute Blues (Or The Big Dig)
- Pass The Jug
- Call On Me
- John The Revelator
- There Be Killin (In My Town)
- The Witch
- I Am Fretless
- Walkin’ In The Sky
- Rollin’ On The Clay
- Lizzy
- The Day I Died
Produced, engineered and so on by Tom Dyer
All instruments and singing by TD
All songs recorded 2011/12 at TDS Productions
Recording Assistance: Kat Dyer
All songs written by Tom Dyer, All songs © Half the World Publishing
except::
“Smithsonian Institute Blues Or The Big by Captain Beefheart
© BIZARRE MUSIC CO.
John The Revelator (Traditional)
“The Witch” by Gerry Roslie © VALET PUBLISHING COMPANY
Cover Photos: Howie Wahlen Sr.
Insert Art: and cover design: Rosie Dyer
Thanks for the valuable input on this project along the way: Howie Wahlen, Jim Owen, Jeff Kelly, Eric Lichter, Ben Dyer, Kat Dyer, Melville Petrowsky, Rick Yust, Don Schaab.
Thanks for helping out with stuff: Carlton Lonergan IV, Heather Willott.
Thanks for putting up with the repetitious racket: Ms. Vicki Dyer
Most importantly, thanks to everybody out there that has supported our efforts here at Green Monkey Records the last three years.
I am sincerely appreciative.
TD
Songs From Academia Vol 2: Instrumental and Spoken Word, 1980-2008
“I have always had a fondness for creating instrumentals, essentially sculpting some sort of sonic structure out of out of varied elements. Even the two spoken word pieces on this collection are really more about the texture of sound than any great message. Bands I’ve played in often have had an instrumental or two, but you won’t see much of that here. Except for Ornette, played by the Adults and Van Vliet Street with Al and Peter, this is pretty much one guy in the studio making it up as he goes. I would usually have figured out some starting part before I began recording and then embellish that,” Dyer said. Some of these tracks were released on tiny cassette-only releases in 1983 and ’85. This is the first surfacing for anything newer. I originally created this as warm up mastering project for the Green Monkey Records Anthology, to get my mastering chops together. A little clean up later, it now stands on its own. Hope you enjoy it! Thanks to all the usual suspects. Tom Dyer, December 2009
- Variations on a Theme by Buck Dharma
- Van Vliet Street
- The Moon Was the Moon Was the Moon
- Grub
- I Want to See the Future
- Gutter of Love
- Skank!
- More Colors Available
- Ornette
- The Ghost Walk
- Atah
- Groovy
- I’m a Rocket
- Turn It Up
- Jazzy
- Interlude #1
- The Laboratory
- I Lived Three Lives
Track notes;
All tracks mastered in 2009 with much better tools than I had in 1980. I have cleaned up the tape noise from the old stuff as much as I could (which was a lot), but there is still some left – live with it, baby! Original recording dates listed are approximate and subject to imperfect memory.
Songs From Academia Vol 1: Songs with Singing, 1981-2009
Green Monkey is rather pleased to present Tom Dyer – Songs from Academia Vol. 1: Songs with Singing, 1981 – 2009. The 14 song (plus top secret bonus track) album is Dyer’s first official release since 1984. Music aficionados may purchase the Deluxe Edition online, which includes Four Panel Printed Eco-sleeve, Printed Insert & Full-Color CDR duplicated using MFQA® (Master Full Quality Audio). The album cuts a wide swath stylistically, ranging from “mad-bull in a China shop” real-band-rock, to experimental studio pop where Dyer plays anything required, from saxophone to Theremin. Dyer reflects, “I am excited to finish this project exactly at its scheduled time. When I set the goal of October, 2009 those 28 years ago, it seemed like a stretch. I really think this project shows how an artist can develop if they set their mind to it and have a good calendar.” SECRET BONUS TRACK – I’m Your Man (1991). Recorded by B.L.O.G. (Bunch of Lame Old Guys) Mach 1, a one-off studio band, at the Art Institute of Seattle during a “faculty meeting.” Some of our finest songs were made up on the spot, this one I wrote in advance. If I had to guess, I would say Roy Scimeca, Keith Livingston and Dave Wheeler play on this, but I can’t guarantee it. B.L.O.G. previously had a Secret Bonus Track, “Heavin’ Tiny Sandwiches,” on the Art Institute CD, The Young and The Restless.
- The Prize
- Little Sally Walker
- (Half the World is Made of) Women
- The Question Asked
- Saturday
- I See Pictures
- Must Have Lost My Mind (For a Minute)
- She’s Winning the War for Daddy
- The Stars
- The Sky
- In the Big Time
- Cars Keep Moving
- The Ballad of Jeffery and Susanne
- Relativity
All songs composed, arranged, etc. by Tom Dyer © ½ the World Publishing
Produced and mastered by Tom Dyer at TDS Productions
Little Sally Walker mixed by Keith Livingston
I See Pictures recorded at Triangle by Pat Hewitt
The Prize, Saturday, Must Have Lost My Mind for a Minute recorded at AiS by Phil Ek
Cover Design by Carlton Lonergan IV
Tom Dyer – Singing, Guitar, Bass, E-Bow, Sax, Keys, Theremin, Drum Machine, Loops, Sequencing, whatever
with:
Peter Barnes – Drums, Tympani, I See Pictures
Laura Bell – Bass, The Prize, Saturday, Must Have Lost My Mind
Al Bloch – Bass, I See Pictures
Kelle Boyd -Backing Vocal, Must Have Lost My Mind, The Stars, In the Big Time
Merle Broyles- Lead Guitar, In the Big Time
Ben Dyer – Bass, Relativity; Guitar, The Question Asked
Jeff Kelly – Piano, Saturday; Bass,Guitar Solo, The Stars
Dave Lefkowitz – Programming assistance, The Sky
Keith Livingston – Guitar Solo, Backing Vocal, She’s Winning the War
Scott McAllister – Guitar, The Prize, Saturday, Must Have Lost My Mind
Sue Orfield –Sax, The Prize, Saturday, Must Have Lost My Mind
Sheila Power – Backing Vocal, Must Have Lost My Mind
Glen Slater – Keyboards, The Prize, Must Have Lost My Mind
Anthony Zapata – Drums, The Prize, Saturday, Must Have Lost My Mind
and THE ICONS on Little Sally Walker
Tim Nelson -Drums
Steve Trettevik – Keyboards, Backing Vocal
Rick Yust – Bass, Backing Vocal
12-30-18 STUBBIES HOUSE OF CHRISTMAS
We’ve had our share of Monkey business this year. But there’s no monkey like a Green Monkey. The thing about the annual Green Monkey Christmas comp is that there’s no need to sample. You know, without hearing a single note, that it’s going to be one of the finest Rock/Alt Rock Christmas records of any year. And, sure enough, the very second I saw that “A Green Monkey Christmas For Martians Up On Mars” was out, I laid my money down without hearing a note. Every year, I listen to these Green Monkey comps, telling myself, well, there’s bound to be a track or two I could live without. And there never is. Every bit of every one is pure gold. (Well, OK, the joke ofJeff Kelly’s “Christmas At The End of Time” has been done before, and once was more than enough).
Every October, Tom Dyer puts out the call for the Christmas album, artists new and old answer, and Tom tosses in a few contributions of his own. The result is always a wide variety of sounds that, together, create a cohesive and rocking’ collection. And 100% of the proceeds go to MusiCares.
Highlights on “A Green Monkey Christmas For Martians Up On Mars” include Super Z Attack Tram’sProgressive “We 3 Super Kings”, Kaz Murphy’s vaguely 50s lament “Christmas Was Yesterday” (can’t help but imagining Gene Pitney singing that one), the Ramones friendly “All I Want For Christmas (Is To Be Left Alone)” by The Swaggerlies, Duane Hibbard’s “Blame It On The Nog” (which is sort of Alice Cooper meets The Cramps), Emily Bishton’s straight forward “Toyland”, and the Bluesy single from the set, Tom Dyer & The True Olympians’ “(I’m A) Lonely Little Christmas Tree”. Sample or don’t sample, just buy “A Green Monkey Christmas For Martians Up On Mars” and you will not regret it. Parental Advisory on “Happy New Year” byKline’s 57.
Green Monkey issued another Christmas release this year, “Tom and Kat’s Excellent Christmas Adventure”, which collects up some of the best of Tom and (daughter) Kat Dyer’s Christmas tunes (including last year’s delicious “Fruitcake”), but I haven’t really had a chance to listen to that album, yet.
And I would be remiss if I didn’t mention my very favorite tune on this year’s Green Monkey comp (I’m sure they wrote it with me in mind)–the Psych Pop “Gray Whiskers (Winter Cats)” by Donovan’s Brain. Missy Katz has that one on constant repeat.
10-8 -2018 RAISED BY GYPSIES
“MY BOLD PREDICTION IS THAT ONE DAY TOM DYER WILL FIND HIS NAME IN THE SAME CONVERSATIONS AS BOWIE AND DYLAN, TOM PETTY AND BRUCE SPRINGSTEEN, BECAUSE I DEFINITELY SEE IT SO IT’S ONLY A MATTER OF TIME BEFORE EVERYONE ELSE CATCHES ON AS WELL.”
Tom Dyer is a bit of a folk hero at this point in my life. Singing the songs others dare not sing, Tom Dyer has a style that reminds me of watching that Bob Dylan movie, you know, the one where all those different actors played him throughout his career. Though the music of Tom Dyer (here with The True Olympians) isn’t quite the same, that grassroots, blue collar type of mentality behind the songs still rings true.
At first I hear elements of They Might Be Giants, who I primarily know because of “Animaniacs” and their albums for children. Various levels of influence throughout rock music come out and there are laser guitar riffs as well. Through jingle-jangles, “The Grey” has a certain marching rhythm to it where it makes you want to fall in line. Though it might be a reference not everyone gets, Tom Dyer and the True Olympians also resemble Mystic Spiral to me a little bit.
The song “Hang Up” has this driving/highway feel to it, somewhere between Steppenwolf, ZZ Top and “Radar Love”. It also becomes fun to sing along with the numbers- 9432 657- the more times you listen to the song and I think that’s kind of the point. (But maybe other people don’t care as much, as I, myself, just happen to love numbers) The third song is about Donald Trump and the thing is… I don’t really like to discuss politics- I like to keep it separate from the music- but at this point I feel it has grown so bad it’s okay to discuss.
Back when I had music submitted to me that was either straight edge or vegan or just religious I felt like it was dividing people and I wouldn’t review it because I felt like great music needed to be all inclusive. The idea that this is the same though kind of doesn’t apply here because a) if you support Donald Trump what the fuck are you doing on my site and b) It’s not really “unfair” if you choose to alienate Nazis and the such so at this point songs against Trump are all inclusive. Plus I just have a general disdain for the government and authority in general, so songs against them should always be tolerated to that extent as well.
We jump from a song about random acts of kindness, showing off the storytelling power of these songs, to a song that combines those earlier classic rock feels (such as Steppenwolf) with pieces of Duran Duran and Rush (that song being “In The Light”) “Wibblin’ For Jesus” has that southern gospel feel to the point where I can feel myself in tent just by listening to it and, yes, it’s also kind of goes against what I typed in the previous paragraph but it isn’t really a religious song except in the way that all songs are religious somehow.
“Another Counting Song” has psychedelic elements behind it and, well, it’s got more numbers so I’m heavily into it. The last song, “Over”, starts with that emergency broadcast type of siren and then turns into these huge, chunky guitar chords. It reminds me of The Doors’ “This Is The End” but only in the way that they both have that final sense to them. It’s hypnotic and you’ll be surprised how easily a line like “When it’s all over then it’s all over” will get stuck in your head. My bold prediction is that one day Tom Dyer will find his name in the same conversations as Bowie and Dylan, Tom Petty and Bruce Springsteen, because I definitely see it so it’s only a matter of time before everyone else catches on as well. Joshua Macala
10-28-2018 EXPOSE’
“12 NEW RECORDINGS IS A FUN SET OF TUNES BY A BAND THAT KNOWS THEIR STUFF, WORKING WITHIN TRADITIONS SET DOWN DECADES AGO BUT NOT BOUND BY THEM, ENGAGING THE HEAD FOR BOTH ROCKING AND THINKING.”
When a catchy garage rock song is grooving along, and you notice that the lyrics are talking about Antonio Gramsci, you know this is no ordinary rock ‘n’ roll band. That’s “Hegemony” by Tom Dyer and the True Olympians, the latest project of Northwest rock mainstay Tom Dyer. He’s relocated from Seattle to Olympia — hence the band’s name — and has been energized by the current political climate in the US. So while you’re thrashing around to these catchy rock beats, you can, if you choose to sing along with the lyrics, speak out against corporate power, white supremacists, greedy one-percenters, intolerant religious fanatics, and so on. Not that all of the songs are political, or that the political ones are especially preachy — they come off as sincere and sometimes frustrated or angry (in the best punk tradition). Even “The Ballad of Donald John Trump” spends much of its time simply listing its subject’s actions. There are also songs like “Random Acts of Kindness,” “Another Counting Song,” and “In the Light” which touch on a variety of subjects. Musically, while the ground floor is solidly on a foundation of fuzzy garage rock, there are plenty of variations and embellishments that build up, often courtesy of a good old Hammond organ. “Wibblin’ for Jesus” uses a gospel rock style to skewer the hypocrisy of many Christians. “Random Acts of Kindness” uses some pseudo-jazzy chords and “la-la” backing vocals to impart a bouncy late-60s feeling. “In the Light” has my favorite riff on the album, one of those twisty riffs that tosses in some outside notes to keep listeners a little off base. 12 New Recordings is a fun set of tunes by a band that knows their stuff, working within traditions set down decades ago but not bound by them, engaging the head for both rocking and thinking. Brushing up on Gramsci is optional. When a catchy garage rock song is grooving along, and you notice that the lyrics are talking about Antonio Gramsci, you know this is no ordinary rock ‘n’ roll band. That’s “Hegemony” by Tom Dyer and the True Olympians, the latest project of Northwest rock mainstay Tom Dyer. He’s relocated from Seattle to Olympia — hence the band’s name — and has been energized by the current political climate in the US. So while you’re thrashing around to these catchy rock beats, you can, if you choose to sing along with the lyrics, speak out against corporate power, white supremacists, greedy one-percenters, intolerant religious fanatics, and so on. Not that all of the songs are political, or that the political ones are especially preachy — they come off as sincere and sometimes frustrated or angry (in the best punk tradition). Even “The Ballad of Donald John Trump” spends much of its time simply listing its subject’s actions. There are also songs like “Random Acts of Kindness,” “Another Counting Song,” and “In the Light” which touch on a variety of subjects. Musically, while the ground floor is solidly on a foundation of fuzzy garage rock, there are plenty of variations and embellishments that build up, often courtesy of a good old Hammond organ. “Wibblin’ for Jesus” uses a gospel rock style to skewer the hypocrisy of many Christians. “Random Acts of Kindness” uses some pseudo-jazzy chords and “la-la” backing vocals to impart a bouncy late-60s feeling. “In the Light” has my favorite riff on the album, one of those twisty riffs that tosses in some outside notes to keep listeners a little off base. 12 New Recordings is a fun set of tunes by a band that knows their stuff, working within traditions set down decades ago but not bound by them, engaging the head for both rocking and thinking. Brushing up on Gramsci is optional. – Jon Davis
NOV 10 2015 ANOTHER FINE REVIEW FOR DYER’S NEW PAGAN GODS!
Expose’: The arrangements are approached with a spirit of invention rather than reverence – “Louie Louie” is almost unrecognizable, though according to the liner notes, it’s based on a little-known rendition by The Nomads, and “Angel of the Morning” is treated more like a rock song than the folky or countrified versions usually heard. In addition to being a great set of rocking tunes, this collection is something of a history lesson, and serves as proof that there’s more to Northwest rock than Jimi Hendrix and The Wailers. Here’s hoping there will be a Volume 2! – Jon Davis
NOV 05, 2015 DYER’S NEW PAGAN GODS – 100% RECOMMENDED – 4 STARS!
Carrie’s Music Machine: “Tom Dyer’s New Pagan God has me with “The History of Northwest Rock Vol.1″ treated to 15 great songs from the period from 1959 to 1968 and I can any lover of 60s music then also 100% recommend this disc.” Carrie’s Music Machine TRANSLATED FROM GERMAN. Review: Tom Dyer’s New Pagan Gods – The History of Northwest Rock Vol.1 1959-1968 (Green Monkey Records, 2015) (Rock) Tom Dyer from Seattle, Washington, USA, ran for quite some time with the idea to make an album of songs by bands from the North West. His inspiration for this project he drew from the album “The History of Northwest Rock Vol.1″ which in 1976 through the Great West Music Company label appeared and one of the many labels, which was the impresario Jerry dennon of Jerden Records. He asked his friends of The Green Pajamas to assist him and the result is an album that 15 covers contains. The band, which plays the songs, includes: Tom Dyer – vocals and lead guitar, Scott Sutherland – lead guitar and vocals, Joe Ross – bass guitar and harmonica, Jeff Kelly – organ and piano, and Scott Vanderpool – drums and vocals. The CD begins with a cover of a song by The Sonics, entitled “The Witch” and herein put the tie me a beautiful song for garage rock, which is played in a not too fast pace, then I “Walk Do not Run” to hear war and this Ventures cover is played excellently by the band. After that, the band let me enjoy a cover of Tiny Tony And The Statics, titled “I Want To Hold Your Hand” and this is a great swinging rock song, with the impossible to sit still and this is followed by “You Got Your Head On Backwards”, which is again a cover of a song by The Sonics and in this song, which includes blues influences are some good changes of pace and wonderful harmonica playing. The next song is called “Hungry,” a Paul Revere & The Raiders cover and in it I hear a catchy sounding rock song and this song contains some good changes of pace, and I “Angel Of The Morning” (Merrilee Rush & The Turnabouts) dished get and this is an excellent version of this tranquil pop song, though I miss the women singing anyway. Then I hear a swinging contemporary version of the song “Louie, Louie”, originally a hit for The Port Landers and The Kingsmen, followed by “Dirty Robber” (The Wailers), a brilliant rock & roll song. In “Come Softly To Me” (The Fleet Woods) the band sounds like a fairly quiet piece pop music (listen to this song over the youtube link below the review) and “Just Like Me” (Paul Revere & The Raiders) I get a nice rock song in a not too rapidly to put. Then the band plays “Out Of Our Tree” (The Wailers) a great swinging rock song, where inaction is not an option and it is followed by “Little Sally Tease” (Don & The Goodtimes), a fantastic rock song and this song brings me to move. “Werewolf” (The Frantics) is a delightful instrumental progressive rock song that has a slightly hypnotic effect on me and “Busy Body” (The Dynamics With Jimmy Hanna) is a nice danceable rock song with rhythm and blues influences, while the last track of the album “She’s Boss” (The Dimensions) again is such a wonderful swinging rock song. Tom Dyer’s New Pagan God has me with “The History of Northwest Rock Vol.1″ treated to 15 great songs from the period from 1959 to 1968 and I can any lover of 60s music then also 100% recommend this disc.
OCT 29, 2015 TOM DYER & NEW PAGAN GODS GET MIGHTY FINE REVIEW!!
Raised By Gypsies: Tom Dyer’s New Pagan Gods has not only given you an album which you can listen to from start to finish and then listen to over and over again, but this is really so much more than that. This is music which you will enjoy and then drift away from only to find yourself eventually coming back to in the end. A concept I still can’t quite fully do justice with words but I would definitely love to see more music presented in such a manner. This is like someone not giving you food or a meal but rather giving you seeds and you planting those seeds just becomes so much more and lasts not for that fleeting moment in which you are hungry but forever so that you shall never be hungry again. – Joshua Macala
OCT 20, 2015 NICE REVIEW IN CAROLINA!
“This disc is a labor of love, not just another attempt to move product – and it shows in the results.” Richard Rossi
Sept 26, 2015 Great NEW PAGAN GODS Review!
I do so love it when people get what the hell we’re up to. Thanks Tony! “Dyer, a 35-year local rock stalwart and head cheese at local indie label Green Monkey Records, dips into the well of first-wave Northwest rock and roll. The result is the joyous audio equivalent of the best sloppy-drunk sweaty house party you ever crashed. Like any good band rocking a house party, Dyer and his bandmates play with grittily fun-loving chemistry, and that’s what makes this ragged little record sing.” Tony Kay – The Sun Break
AUG 26, 2015 NEW PAGAN GODS GET 4 STARS IN BLURT!
A most fine review in Blurt: From start to finish, the record’s a 15-track gas, chock full of familiar gems and obscure nuggets. Among the “likes” you might be thumbs-upping at a social media outlet very soon: the Raiders’ “Hungry,” served up raw and bloody, no medium-cooked meat for Dyer & Co. (there’s also a cover of “Just Like Me”), the Ventures’ timeless surf instro “Walk Don’t Run,” just to remind you that these cats weren’t from SoCal but from Tacoma, Wash.; the Frantics’ “Werewolf,” a freaky, sleazy instro that wouldn’t be out of place on one of those Songs the Cramps Taught Us collections; “Angel of the Morning” by Merrilee Rush & the Turnabouts, a sure-to-surprise-you pop classic if you were expecting a straight up garage set from Dyer (and for my money, as one who owns the original 45, far truer to the original Chip Taylor-penned tune than country songstress Juice Newton’s watered-down cover; and of course “Louie Louie,” which in Dyer’s hands takes not only a huge left turn but an unplanned detour down an alley, across the freeway, and off into the hinterlands, so unique is the arrangement. In his notes Dyer calls this his own “revisionist Northwest history” with “no attempt to duplicate the originals.” Instead, he set out to capture the DIY spirit and the maverick vibe that the songs’ creators represented. Methinks he succeeded. FRED MILLS
AUG 25, 2015 NEW PAGAN GODS #3 AT EASY STREET!
AUG 13, 2015 THE STRANGER SEZ GO TO THE SHOW!
The Stranger Recommends: “This here in-store gig is a celebration of the release of Tom Dyer’s New Pagan Gods’ long-awaited album, History of Northwest Rock Vol. 1 1959-1968, which is released on Dyer’s Green Monkey label and produced by Stranger Genius nominee Steve Fisk. On the album, the band (featuring members of the Green Pajamas and King County Queens) comes across strong—not too tough, but not sticky sweet, either, as it blazes through some of the best known, and a couple of unknown, Northwest garage “classics.” The repertoire runs from the Fleetwoods’ chart-topping pop vocal “Come Softly to Me” to favorites like the Sonics’ “You Got Your Head on Backwards” and the Wailers’ “Out of Our Tree ” to a real deep cut like Tiny Tony and the Statics’ “I Wanna Hold Your Hand.” Oh, also, as this is Volume One from Dyer’s NPG, so we should probably be expecting a second volume in the near future. MIKE NIPPER”
AUG 04, 2015 HINTZ LIKES LOUIE!
Nice review in DC ROCK LIVE: ” Tom Dyer and his band the New Pagan Gods have a good grasp on this material, bringing their own personalities into these cuts and reminding listeners of how tough and universal this music is. This is a fine rock album, gritty, with good songs and even a funky version of ‘Louie Louie’ that made that overplayed cut worth hearing again.” David Hintz
JUL 19, 2015 NEW PAGAN GODS – “A SPICY MODERN SOUND”!!!
“Get ready for a loud party in Seattle from an independent pop group called Tom Dyer’s New Pagan Gods. Tom Dyer’s New Pagan Gods are not afraid to bring the game of love to life by giving old classics a spicy modern sound.” Leslie Snyder – Jersey Beat
Jul 14, 2015 Dyer “will certainly appeal to barflies”!!!
Jeff Penczak in The Terrascope sez: “What we actually have here is Dyer and a bunch of his drinking buddies (essentially various Green Pajamas/Chemistry Set members) ripping through some of Dyer’s favourite Pac NW garage singles . . . It’s obvious the boys had a lot of fun (and perhaps more than a few pints) while recording these chestnuts and even though most of them will be unfamiliar to non-Northwesterners, they will certainly appeal to barflies and anyone who loves to work up a sweat and a thirst on the weekend.”
JULY 12, 2015 HISTORY OF NW ROCK “JUST A WHOLE BUNCH OF FUN”
Graham Reid of Elsewhere sez: Tom Dyer’s New Pagan Gods; History of Northwest Rock Vol 1 1959 – 1968: And more covers-cum-tribute. Anyone who has heard or read about the history of the rock, pop, soul and beyond out of the Pacific Northwest is impressed: the Sonics, the Kingsmen (Louie Louie), Paul Revere and the Raiders . . . Here Tom Dyer of Seattle’s prolific Green Monkey label (which we have mentioned often) hooks up with fellow travellers for often faithful, frequently enjoyable, always play-loud covers of the Sonics’ The Witch and You Got Your Head on Backwards, the Ventures’ Walk Don’t Run, the incredibly obscure Tiny Tony and the Statics (whose original I Wanna Hold Your Hand came out a year before the Beatles’ song with a similar title), Paul Revere’s classics Hungry and Just Like Me, the Fleetwoods’ Come Softly To Me and more. Louie Louie among them. With pointed liner notes (Dyer knew some of these characters or has a story to place them in context) this is just a whole bunch of fun. You still need to hear some of these originals of course, but these are delivered in the enthusiastic spirit of the Northwest garageband ethic.
JULY 03, 2015 DAGGERZINE SEZ DIVE INTO DYER’S HIST NW ROCK!
Dagger ‘Zine heart emoticon for Tom Dyer’s New Pagan Gods History of NW Rock Vol. 1! “You could say that Tom Dyer is a proud Northwesterner….ok, a proud Seattle-ite. Dude’s been documenting the NW scene for a few decades now … Who produced it? Who else, Mr. Steve Fisk. They tackle fifteen songs on here and many are my faves. … the cast assembled here are folks who have a true reverence for these songs and the era. They’re doing it because they love and appreciate it. These songs are in the right hands. Dive in.” http://daggerzine.tumblr.com/
JAN 02, 2015 “WEIRDEST ALBUM THIS YEAR, TOM DYER FROM SEATTLE”
Ok – one more. Translated from Dutch. “Weirdest album this year, Tom Dyer from Seattle. He is a kind of outsider musician recording since 1983 Christmas songs . Fifteen of these are collected on the CD ‘ Xmas- 30 Years In The Making . It opens with a song in which a few choirs compete in “Ho Ho Ho ” sing. The next song sounds like the Velvet Undergound and therefore called ‘No Lou This Xmas . In ‘ Christmas Time For Sailors’ Tom Waits seems to sing along and ‘Peace’ is a guitar instrumental full of Christmas bells. On this album you will find only original tracks on ” Angels We Have Heard On High ” after a song from 1983 with nice analog organ.” Oscar Smit – Gonzo Circus Dec. 22, 2014
JAN 02, 2015 ONE MORE FINE TOM DYER XMAS REVIEW!
“Tom Dyer – “Xmas – 30 Years in the Making”. I didn’t get a chance to write about this collection in depth this year, but I will make amends early next season. But, Tom Dyer’s collection of Christmas songs recorded here and there over 30 years is brilliant on the order of Substance W. “No Lou This Christmas” was recorded in 2013 as a tribute to Lou Reed, “Propane Santa” is one of the best true stories turned into song ever. Totally enjoyable.” der Bingle – Merry and Bright.
JAN 02, 2015 TOM DYER XMAS REVIEWED IN BLURT!
“This accumulation of Christmas recordings, a compilation of original holiday-themed music Dyer’s done on an annual basis, is of the decidedly offbeat variety, but as songs like “No Lou This Xmas” and the reggae-worthy “Jingle Bell Ska” prove, this selection also works well as worthy collection of rockers. And while tracks like “It’s A White Mule Christmas,” “Propane Santa” and the Grinch-like “Christmas Time For Sailors” suggest Dyer’s got his tongue planted firmly in cheek, Xmas-30 Years in the Making is a holly jolly collection all round.” Lee Zimmerman – Blurt
DEC 27, 2014 TOM DYER ON MAGNET: FILM AT 11
“No Lou This Xmas” on MAGNET magazine’s Film at 11! “Tom Dyer, president of underground, Seattle-based record company Green Monkey Records, has released a new video for a rocking song in tribute to Lou Reed. The track is called “No Lou This Christmas,” and though it’s an upbeat and groovy song with a slightly silly video, you can feel the sorrow of Reed’s death and the pain of not having him around at this time of year.”
DEC 25, 2014 TOM DYER MAKES MUSIC/NOISE ON N. ZEALAND COMP!
Now here’s a fine racket. This is a fairly random noise compilation titled “Rejection dryrot ripple Gombage” to which Dr. Dyer contributed 2:00 minutes of improvised bass and vocal for the track titled “Pistilicious Thing ache Squeak.” The skinny: “Each contributor created two mins of raw sound – a single track recorded live with no post-processing. After each set of four tracks arrived, they were blindly put together to create each track – as & when they arrived in Corporal Tofulung’s inbox.” You can listen or download for free as your mood dictates. The album, released by Postmoderncore, is licensed under a Creative Commons Attribution-NonCommercial 3.0 New Zealand License. Just in case you were wondering.
DEC 23, 2014 DAGGER SEZ DUMP PERRY COMO – GET TOM DYER!
Green Monkey head honcho Tom Dyer has been recording X-mas songs since 1983. A colleague of his recently pointed out that he had enough for a full album so here tis. It’ runs the gamut from in-joke sort of songs (opener “It’s Christmas (and I’m Jolly) to pretty, jangly pop tunes like “Propane Santa.” It runs in chronological order from the newest songs back to the oldies. Other heart-warming chestnuts include the bouncy “Jingle Bell Ska”, the Tom Waits-ish “Christmas Time for Sailors” and the jangly “It’s Snowing in Seattle” (featuring the Green Pajamas Jeff Kelly). I say retire the Perry Como Christmas record, bub, and try this one on for size. It fits perfectly (like that ugly sweater you’ve got on). – Dagger
DEC 19, 2014 NICE REVIEW FOR TOM DYER – XMAS IN JP’S MUSIC BLOG!
“Beginning with the two-minute “It’s Christmas (And I’m Jolly),” Dyer gets you in the mood with his type of a gospel choir, belting out “Ho, Ho, Ho” and “Merry Christmas, Merry Christmas.” The album’s first single, “No Lou This Christmas” is a tribute to the late-Lou Reed as Dyer plugs in for this rocker. Dyer adds a nice, loose rhythm to “Jingle Bells Ska,” and turns “Peace On Earth” into a spaghetti western, before bringing out the kid in all of us with the fun vibe of “Hot Dog! It’s Christmas!” A great piece of holiday folk music is “Snowing In Seattle,” which sounds as if it was recorded right on the spot, in one take as Dyer was looking out the window.” JP’s Music Blog
DEC 13, 2014 BOOK’S MUSIC LIKES NO LOU THIS XMAS!
December 13th, 2014 Nice post for “No Lou This Xmas” video at This is Book’s Music. “While this does not feature the Mountlake Terrace Community Choir, it does feature a crisp rock attitude you can enjoy so check out “No Lou This Xmas” and find out who/what Lou refers to.”
DEC 09, 2014 TOM DYER – XMAS 30 YEARS REVIEW
“If your tastes are more eclectic and you like your music raw . . . ” Jack Goodstein – BlogCritics hmmm . . . that rather gets the notion going don’t you think?
NOV 30, 2014 STUBBY’S HOUSE OF CHRISTMAS GIVE DYER THUMBS UP!
A nice plug for Tom Dyer – Xmas 30 Years in the making from Stubby’s House of Christmas! I’m certain this will brighten your holiday season!
JUN 15, 2014 FRANK G. SPREADS THE GREEN MONKEY GOSPEL!
Happy Father’s Day to music loving pops every where! For your pleasure today we have an excellent synopsis of the label put forth by Mr. Frank Gutch Jr. at Segrini: Don’t Believe A Word I Say. Read on, brother!
DEC 20, 2013 PRESS QUOTE
“This glorious collection of warm holiday music features fifteen tracks with both traditional and original music that will warm the hearts of many independent pop rock fans the world over.” Leslie Snyder
Tom Dyer “Xmas-30 Years in the Making” By Leslie Snyder A glimmer of hope comes out of Seattle, Washington from an independent pop rock artist and producer named Tom Dyer. Tom Dyer released his debut Christmas CD “Xmas-30 Years in the Making” on December 9, 2013. This glorious collection of warm holiday music features fifteen tracks with both traditional and original music that will warm the hearts of many independent pop rock fans the world over. The glorious journey begins with the first track “It’s Christmas (And I’m jolly).” This track features warm, “bellowing” Santa Claus laughs and the faint sound of bells ringing, along with a chorus harmonizing throughout the track. This track is a joyful tale about people enjoying Christmas Day with friends and family. Finally, the glorious journey ends a glimmer of hope for the future in the seventh track “Peace on Earth.” This track is an old Christmas classic that has had a “groovy” pop rock makeover. This track is an instrumental track featuring “breezy” pop rock melodies, along with the “crisp” sound of bells ringing in the background. This track is a beautiful tale about the hope and love that the holiday season can bring. However, people really need to be respectful to one another the entire twelve months of the year. Tom Dyer is a great independent pop rock artist and producer who show cases his cool vocal harmonies and outstanding musicianship. Tom Dyer’s debut Christmas CD “Xmas-30 Years in the Making” truly is a musical masterpiece. This wonderful collection of holiday music will let people know what Christmas is really about with humor and dignity. Artist Website: http://www.greenmonkeyrecords.com
APR 23, 2013 PRESS QUOTE
I Ain’t Blue Any More suggests that the eclectic performer is either an alternative genius or completely not cut out for the music industry. You decide.” Daniel Davidson-Amadi
This is Americana; this is blues (despite what the title protests); this is rock n roll in its most…well…rock n roll-ingest form. Tom Dyer is a jiver and a one man orchestra who seems to be capable of playing every instrument around in a way that you’re probably not used to in the mainstream. He provides the musical accompaniment to all his tracks singlehandedly. From basses, to keyboards and saxophones, to more obscure instruments like the bulbul tarang and the charango, the musician shows an undeniable talent for shaping out unbalanced and unorthodox melodies that leave a lasting impression on the listener. It’s noticeable that his music has this tonally distracted brand; the kind you’d associate with a literal one-man band where a guy has to keep on top of several instruments at the same time, whilst still making sure that every note is accurate. Because of this, there are numerous inaccuracies that make his songs sound uniquely uncanny. The album is very alternative compared to the basis of many of the genres he is linked to. However, it’s hard to tell with this indie artist whether this is all a conscious effort to go against conventionality of musicality or if he is just a little (VERY) tone deaf. The song ‘Pass The Jug’ is a particularly interesting instrumental that jingles with a very folksy inclination that takes ‘I Ain’t Blue Any More’ far away from its two-step rockabilly sensibilities. It sounds like the music to some kind of weird merry-go-round or a scene from a Rob Zombie horror, but it’s still as alluring as it is unnerving – all of his songs have this very same blueprint. Believe it or not, I’m actually going to give this album three stars because I kind of get what Dyer is trying to do that’s different. I Ain’t Blue Any More suggests that the eclectic performer is either an alternative genius or completely not cut out for the music industry. You decide.
DEC 28, 2012 PRESS QUOTE
“‘I Am Fretless’ is an absolute masterpiece of experimental sounds of East vs. West. ” Julien Alexandre
I Ain’t Blue Anymore is the eighth studio album from Experimental Folk and Blues musician: Tom Dyer. His latest artwork is an eclectic blend of blues inspired melodies, rhythms, and sounds with an unorthodox feel to them. This album is without a doubt both Zappa and Captain Beefheart inspired (there is even a Beefheart cover on here). Inspired by two of the greatest, Dyer takes his music to a totally different place by letting his imagination run wild. Some sounds on this piece are familiar, whereas others are not. That being said, all the instruments on this album are played by Dyer himself. I Ain’t Blue Anymore is a one-man show from one of Seattle’s most influential characters in the underground music scene. Also the owner of Green Monkey Records, Dyer has helped hundreds of artists reach their fullest potential since they first opened up shop in 1983. So what is I Ain’t Blue Anymore? As Dyer put it: “I’m not really sure you would call this a blues album, but it is a blues-inspired album, that is for sure.”. The opening song goes by the name of “The Ballad of Carlton IV”. This song has some serious primitive sounding guitars and drums to it, which seems to be a common instrumental theme for the majority of Dyer’s album. Dyer’s voice is both deep and raspy with a tone that speaks of experience, perfect for the blues. “(People Want To Be) Free” is the next song on the album. A piece that is very blues influenced. (People Want To Be) Free tells the same story as many other traditional blues songs. Dyer does an excellent job of keeping his listeners engaged by layering the lyrics in the chorus and also adding an intensely psychedelic alto-saxophone solo towards the middle and the ending part of the song. (People Want To Be) Free is a real treat of blues inspired ear-candy. On several songs on I Ain’t Blue Anymore Dyer loves to take both traditional and non-traditional instruments and fuse them together in rhythm. That being said, there were several songs on this album where the execution of these techniques was in my opinion not as smooth as I expected them to be. On a song like “Pass The Jug” Dyer incorporates both a traditional Ukulele and also a special ten-stringed looking Uke he obtained from Peru. It’s not the sounds of the Ukes that I had a problem with but rather the manner in which they were played. Some parts of Pass The Jug lacked in direction and the strumming of the Ukes sounded somewhat choppy at times. When it came to the fusion of traditional versus non-traditional instruments Dyer might have missed the target on this one, however track number nine was an absolute bullseye. If you were planning on going to India anytime soon don’t bother because Dyer has already booked you a plane ticket. Check in time is track number nine on I Ain’t Blue Anymore. I Am Fretless is an absolute masterpiece of experimental sounds of East vs. West. In this song Dyer takes his listeners on a journey splashed with color. The dynamics and the sounds of this piece are like nothing you have ever heard before. I Am Fretless would make George Harrison jealous would he still be alive today. I Ain’t Blue Anymore was a trip into the mind of Tom Dyer. With nothing held back, this album speaks volumes in terms of who Dyer is as an artist (and also as a person). If you’re a fan of Frank Zappa or Captain Beefheart this is definitely an album to add to the collection. http://redhousereviews.hubpages.com/hub/Tom-Dyer-I-Aint-Blue-Anymore-Album-Review
DEC 26, 2012 PRESS QUOTE
This music is an acquired taste, and not something everyone’s going to love.
It’s tough to get away from Tom Waits comparisons when listening to Tom Dyer’s I Ain’t Blue Anymore album. Dyer has a similar approach to creating music, which is by making it noisy, sometimes off-key and always raw. Dyer is different from Waits, however, because his voice is a lot smoother. This is not to say he’s Michael Bublé or anything; it’s just to remark that Waits takes vocal roughness to an extreme sandpapery level, whereas Dyer is merely toughened-up a lot. The songs on I Ain’t Blue Anymore are best described as psychedelic blues tracks. The recording’s covers gives hints about Dyer’s musical influences. He speeds up The Sonics “The Witch,” for a spooky, garage workout. For “Smithsonian Institute Blues (or The Big Dig),” Dyer takes a Captain Beefheart song and transforms it into some hillbilly blues. It features a plucking banjo part and a stomping blues groove. To call this album a one-man-show would be an understatement. Dyer is listed as playing the following: electric and acoustic guitars, bass, fretless bass and guitar, lap steel guitar, slide Guitar, charango, baritone guitar, banjo, mandolin, bulbul tarang, ukulele, keyboards, saxophone, melodic, percussion and drum programming. This is not to suggest, however, that he is any kind of an instrumental poly-master. He plays all of these instruments well enough to get the job done, like an amateur carpenter just trying to get the hole in his roof fixed, rather than Barbara Mandrell showing off on her old TV variety show. The instrumental “Pass the Jug,” for instance, finds Dyer plucking on many stringed things for a sprightly backwoods tune. You do not, though, hear Dyer going all crazy on any one instrument and doing jaw-dropping solos. He’s like that carpenter, merely getting her done. Dyer also has a little soul music in him, too. “(People Want to Be) Free” is an electrified folk song, featuring off-kilter saxophone part. It’s sorta hipster, Tom Wait-sian jazz, like a ’60s protest song as sung by Beatniks. “Call on me” also has a rolling, jazz bass line where Dyer does his best pleading soul singer imitation. He’s not a natural soul crooner, but you have to give him credit for doing his level best. This music is an acquired taste, and not something everyone’s going to love. This is because Dyer performs with a sort of musical primitivism. Steve Martin once titled one of his recordings, Comedy Is Not Pretty. You might also subtitle Dyer’s album Music Is (Sometimes) not pretty because this album is, quite frankly, really rough around the edges. However this approach is not at all a bad thing, if you can get used to it. It makes for real, earthy music. Dyer’s “John the Revelator,” for example, with its banjo and backing vocals, is a gutsy piece of music. It’s church music for people really serious about their religion. It is not the kind of sugarcane in cellophane you often hear on contemporary Christian music stations, that’s for darn sure. Dyer may not be blue anymore, but he sure isn’t all smooth, prim and proper. This project takes music down to its pure, sparse, basic elements.http://www.antimusic.com/reviews/12/Tom_Dyer_-_I_Aint_Blue_Anymore.shtml
DEC 25, 2012 PRESS QUOTE
“Walkin’ In The Sky,” is one of the best offerings on I Ain’t Blue Anymore showcasing the lower register of Dyer. Final Grade: A”
Tom Dyer’s I Ain’t Blue Anymore is a mix of bluesy rock n’ roll and Americana songs that make for an enjoyable experience throughout. The opener “The Ballad of Carlton IV,” is a tale written with many metaphors that allow Dyer to move through with his coarse tone. “Smithsonian Institute Blues (Or The Big Dig)” hearkens to blues masters Howlin Wolf and Stevie Ray Vaughn, with boisterous statements by Dyer; while John The Revelator finds Dyer singing a traditional Gospel blue song that serves up call and response acapella for the most part with minimal instruments backing him. “The Witch,” allow Dyer to embrace the topic of sorcery and witchcraft with a detailed account of being fearful of the supernatural woman with supernatural powers. “Walkin’ In The Sky,” is one of the best offerings on I Ain’t Blue Anymore showcasing the lower register of Dyer. The listener cannot help but wonder how much coarser Dyer can take his voice, but with a nod to many blues styles and his inconsistent musical predilection are what make the track. I Ain’t Blue Anymore closes with “The Day I Died,” a compelling finale to Dyer’s fifth album since 2009 and eighth overall. I Ain’t Blue Anymore may be edging towards simplicity as many of the songs contained nominal amounts of eclecticism that has marked Dyer’s stamp within the musical atmosphere. Tom Dyer plays all of the instruments on the album ranging from the banjo to the charango to a lap steel guitar. Tom Dyer is President of Green Monkey Records, the producer behind this plate of independent blues releases that fit together like a puzzle. Being also the President of Argosy University in Seattle and no plans to be just a musician, Dyer perhaps is a man who wears several hats and that is evident on I Ain’t Blue Anymore. Final Grade: Ahttp://www.examiner.com/review/i-ain-t-blue-anymore-with-tom-dyer
DEC 24, 2012
stand-out track ‘Walkin’ in the Sky’ is an homage to John Lee Hooker. Also included here is an impressive cover of Beefhearts’ ‘Smithsonian Institute Blues
Tom Dyer – I Ain’t Blue Any More (Blues, 2012) “Depending on how you look at it, either this album has been a long time coming or started in August 2011.” Tom Dyer’s frame of mind is hard to grasp. Imagine Walter White jamming with Cpt. Beefheart with a bit of Leslie West and you still don’t get the picture. His obvious inspiration is the blues – artists such as Muddy Waters, Howlin’ Wolf and John Lee Hooker – and some of the material here trace back to the 80’s. So, its a blues record done the old way but with a new aesthetic. The menacing ‘There Be Killin’ (In My Town)’ was originally written in 1979 and was revisited to depict the various killings that occured in Seattle this year (including but not limited to Stawicki’s shooting spree at Cafe Racer). Another stand-out track ‘Walkin’ in the Sky’ is an homage to John Lee Hooker. Also included here is an impressive cover of Beefhearts’ ‘Smithsonian Institute Blues (Or The Big Dig)’ – from ‘Lick My Decals Off, Baby’ one Tom’s first records – and a rewarding adaptation of the gospel standard ‘John the Revelator’. The underground Seattle Rock veteran plays every instrument; electric and acoustic guitar, banjo, mandolin, ukulele, keyboards, saxophone, percussion. He also recorded, mixed and mastered the disc on his own. A one man show indeed; totally unique and off the wall. As the man himself proclaims: “I’m not really sure you would call this a blues album, but it is a blues-inspired album, that is for sure.” http://most-def.blogspot.com/2012/12/tom-dyer-i-aint-blue-any-more-blues-2012.html
DEC 11, 2012
Brutal honesty roars out of Seattle, Washington – Tom Dyer is a brilliant independent pop rock artist with a great songwriting ability and superb musicianship.
Brutal honesty roars out of Seattle, Washington from an independent pop rock artist named Tom Dyer. Tom Dyer sings songs about the harsh realities of today’s society with a strong blues background sounding similar to blues legend Howlin’ Wolf. The artist’s eighth CD “I Ain’t Blue anymore” was released on October 19, 2012 featuring thirteen ‘soul bearing’ tracks that bring out the disgust of a person who is fed up with the way humanity is behaving today due to greed. The obnoxious adventure begins with the first track “The Ballad of Carlton IV.” This track features “gritty” vocals and melodic rock riffs, along with a heavy bass line that sounds like a nervous heartbeat. This track is a ’sultry” tale about a man who is having his way with women and living life on the edge. Next, tension hangs in the air with the second track “(People Want To Be) Free.” This track has an ominous tone with “moaning” vocals and rough melodic rock riffs, along with a pulsating bass line. This track is an anxious tale about people feeling trapped by bureaucrats. People want to live their lives the way they choose without government interference. Meanwhile, a sense of peace comes out in the fourth track “Pass the Jug.” This track is a calming pop oriented instrumental track that features a mandolin “floating” throughout the track, along with a slow, “groovy” bass line. This track is a soothing tale about people wanting to help each other out in troubling situations. Human beings can be kind to each other once in a while. However, acts of kindness need to happen on a daily basis in order for the world to be a more peaceful place to live. Finally, the hope of romance lingers in the fifth track “Call On Me.” This track has a ‘sultry’ sound featuring “moaning” vocals and light melodic blues rock riffs, along with a “groovy” bass line. This track is a hopeful tale about a man who is trying to attract the attention of a beautiful woman. The man wants to dance with the woman and get her to fall in love with him. Tom Dyer is a brilliant independent pop rock artist with a great songwriting ability and superb musicianship. Tom Dyer tells the truth about greed running rampant in today’s society, while bringing back the sound of the blues to a new generation of rock and roll fans. “I Ain’t Blue anymore” is a raucous collection of music that is definitely worth listening to.http://www.facebook.com/notes/ima-indie-music-and-art/tom-dyer-i-aint-blue-anymore-review-by-leslie-snyder/427932550605636
NOV 15, 2012
“Preaching a gravelly sermon like Leonard Cohen high on Captain Beefheart”
The latest from Seattle’s Tom Dyer is a twisted Americana adventure, a Waits-ian take on the blues, particularly in the arrangements and instrumental experimentation with things like the bulbul tarang, charango and melodica. Dyer’s baritone voice holds the whole thing together, preaching a gravelly sermon like Leonard Cohen high on Captain Beefheart, whose “Smithsonian Institute Blues (Or the Big Dig)” appears on the LP alongside a Sonics cover. Dave Lake – Seattle Weekly- Reverb
OCT 24, 2012
“Strips everything down to the essentials and celebrates the goodness of life”
This Is Book’s Music: The entire album is self-contained in that all instruments and vocals were played by Dyer himself, and what you’ll hear is everything from rough rock’n’roll with pinches of folk and sometimes country. Then I’m hearing track #3 and going “why does this remind me of Captain Beefheart? It’s because it’s a Captain Beefheart song, in this case “The Smithsonian Institute Blues (Or The Big Dig)” (from the 1970 gem Lick My Decals Off Baby). While some artists want to create their self-contained projects with perfection, Dyer doesn’t mind playing a few off-keys or doing thigns in alternate tunings that simply is there just because he wants to. The instrumental “Pass The Jug” could be something you might expect to hear at a Seattle folk life festival, but something is selling you that it sounds a bit awkward. Then you realize oh, this is Seattle, it can be off and no one will question it. Every now and then he’ll get a bit bluesy, then things will turn sleazy and sweaty but you’re wondering why you’re dancing. To me, it feels like what an indepedent album should sound like, and that is not caring if it’s indie or trying to catch the ear of a major. Dyer’s own liner notes has him talking about the process of recording and arranging these, along with stories on when (and sometimes where) they were recorded. Some of them have been in existence for decades and he gets into why it wasn’t recorded and released until 2012, or how doing multiple versions of it had him not releasing it until they were revisited. If you’ve been a fan of Dyer’s music over the years, it sounds like a return home and a success story in itself, as in “these songs are finally being heard, share with me the victory in this”.
AUG 16, 2011
“slam/bang guitar and pounding rhythms”
The Icons- Appointment With Destiny! “Their slam/bang guitar and pounding rhythms wake me up to why I loved The Wailers and The Sonics back in the day and why bands I never would have listened to in the Sixties (Iggy Pop, Dead Boys, Richard Hell & the Voidoids) later became solid favorites.” Frank O. Gutch Jr. – Rock and Reprise
Mar 08, 2010
Great stuff – proper singing and playing, Terrascope
Tom Dyer’s “Songs From Academia (Volume 1: Songs With Singing 1981-2009)” is a collection of musical work from this American university president. Opening with the Gong-like “The Prize,” the album flits between the afore-mentioned dates, taking in the synth-pop of “Little Sally Walker,” the quirky electro-pop of “(Half The World Is Made Of) Women” with its grin-inducing lyrics, and the even quirkier “The Question Asked,” which – dated 2007 – is an indication of how much this musician’s style has changed since the early ‘eighties; great production on this track. “I See Pictures” has a strong UK post-punk vibe to it, while “She’s Winning The War For Daddy” is half show-tune, half brash pop-tune. “The Stars” and “The Sky” are very recent, the former a thumping rocker, the latter a bizarre electro-stomper, while the concluding track, also recent, also showcases Dyer’s skill at putting together poptastic riffola. Great stuff – proper singing and playing, and another volume to come.
NOV 10, 2009
“I’m thankful that this exists.”
Tom Dyer – Songs From Academia Vol.2: Instrumental & Spoken Word I’m thankful that this exists. I’m not sure having a world full of Tom Dyer copycats would be a good one, which is my way of saying he is one of a kind, representing what Seattle music is all about, period. John Book – This Is Book’s Music Review:
AUG 23, 2009
Tom Dyer – Songs from Academia Vol.1 :Songs with Singing
Tom Dyer – Songs from Academia Vol.1 :Songs with Singing “Songs from Academia… is an intriguing listen, to say the least, the collection providing an intimate look at Dyer’s free-wheeling, at times deeply experimental muse.” Fred Mills – Blurt
Tom Dyer and The True Olympians:
Tom Dyer – Vocals, Guitar, etc.
Joe Cason – Organ, Piano & Vocals
Gene Tveden – Bass, Vocals & Guitar
Lisa Ceazan – Vocals
Jeff Parkhurst – Drums & Percussion, Vocals (History of Northwest Rock, Volume Two)
Michael Stein – Drums, Vocals (Olympia: A True Story)
Tom Shoblom – Drums (12 New Recordings)
